Use Me, Lord Sheet Music Preview

Use Me, Lord: SATB Choral Octavo

By Cindy Berry

Item: 35-DS01296968

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS01296968

More about this title

About the Composer: Cindy Berry

Cindy Berry

Cindy Berry brings decades of experience as both a composer and arranger of sacred choral music, children's musicals, and keyboard works. A Houston native and Houston Baptist University alumna, she has earned repeated ASCAP Special Awards throughout her career and maintains an active schedule as a clinician, leading composer workshops and seminars across the country.

Berry's work is shaped by her role as a church musician alongside her husband Bruce, a Minister of Music. She currently directs the children's choir and serves as pianist at First Baptist Church in Killeen, Texas. For her, composing is fundamentally an act of worship, and every piece reflects her commitment to offering music as a spiritual gift.

Why we love this

Berry's setting honors the simplicity and sincerity of the text without sacrificing musicality. The work sits comfortably in church and school choirs alike, making it a practical choice for groups seeking music that feels both authentic and accessible.

What to expect

A quiet offering that builds in conviction rather than volume. The piece creates space for singers to inhabit the prayer of the text, with moments of gentle affirmation that feel earned rather than imposed.

Who it's for

This octavo works well for intermediate to advanced SATB choirs in worship settings, youth choirs with solid reading skills, and community choruses seeking spiritually grounded repertoire. It suits directors programming shorter sacred works that don't demand extended rehearsal time.

How to get the most out of it

  • Allow the text to shape your phrasing rather than forcing mechanical adherence to bar lines; the conviction in 'use me' deserves breathing space
  • Balance transparency in the inner voices so each part's contribution to the harmonic fabric remains clear throughout
  • Treat dynamic shifts as invitations to emotional deepening, not merely as technical changes

How to use it

Consider pairing this with other Berry settings or similar contemporary sacred works as part of a shorter devotional set. It also serves well as a repertoire piece for church choirs preparing Easter or general worship services, or as part of a concert that emphasizes singer connection to text.

Skills your students will build

  • Balancing inner voice independence with overall harmonic unity
  • Phrasing text-driven music with sensitivity to lyrical content
  • Managing dynamic contrast across an SATB texture
  • Sustaining sustained notes with consistent tone quality

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