Uriel: A Flourish of Joy Cover Image

Uriel: A Flourish of Joy: Brass Duo & Ensemble, Solo Brass with Ensemble, Score and Parts (LUDWIGMASTERS)

$14.95 USD
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Uriel: A Flourish of Joy Cover Image

Uriel: A Flourish of Joy: Brass Duo & Ensemble, Solo Brass with Ensemble, Score and Parts (LUDWIGMASTERS)

By Clarence E. Barber

Item: 36-20502211

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Description
Written for and dedicated to the composer's good friend Don Barnes, conductor of the Lorain County Community College Concert Band. This piece is a spotlight for euphonium with great range demands, and utilizes multiphonics for both tuba and euphonium.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 654690467546
SKU: 36-20502211
Instrumentation: Euphonium Solo with Tuba and Percussion Accompaniment

More about this title

About the Composer: Clarence E. Barber

Clarence E. Barber is a composer and educator whose work centers on writing for brass instruments with both technical sophistication and musical substance. His compositions reflect a deep understanding of ensemble dynamics and the capabilities of individual instruments, evident in pieces that challenge performers while remaining musically rewarding.

Why we love this

Barber writes for the euphonium with real compositional sophistication, demanding the soloist navigate an extended range while the accompaniment stays accessible. The inclusion of multiphonics for both tuba and euphonium signals a composer unafraid to push modern technique, which keeps advanced players engaged and gives your band a genuine contemporary sound.

What to expect

Bright, virtuosic, and full of personality. The euphonium emerges as a lyrical protagonist with real heroic potential, while the tuba and percussion create a nimble harmonic and rhythmic foundation that feels celebratory without becoming predictable.

Who it's for

Bands with a strong euphonium soloist who has experience or appetite for extended technique. This work demands a program that features your best player and isn't afraid of contemporary classical writing.

How to get the most out of it

  • Map out the euphonium's range demands in rehearsal before adding tuba and percussion; clarity on the solo part will anchor the whole ensemble's approach to balance and tuning.
  • The multiphonics passages require fingering charts and individual practice time. Have your euphonium and tuba players work these sections separately first so the effect lands with confidence, not hesitation.
  • Let the percussion part breathe. It's accompaniment, not a spotlight, so dial back the dynamic instinct to match the brass, the timbral contrast between percussion and the singing line is part of the piece's character.

How to use it

Position this as a feature during a concert celebrating brass soloists or contemporary wind band repertoire. It pairs well with shorter classical brass works because its modern idiom and moderate length offer contrast without exhausting the audience's attention.

Skills your students will build

  • Extended range on euphonium (upper and lower registers)
  • Multiphonic fingering and sound production
  • Balancing a solo voice against rhythmic accompaniment
  • Intonation adjustment for extended techniques
  • Timbral control in contemporary classical style

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