Uptown Funk (arr. Don Henken) Sheet Music Preview

Uptown Funk (arr. Don Henken): SAB Choral Octavo

As performed by Bruno Mars / Arranged by Don Henken

Item: 35-DS00497483

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Additional Details
Publisher: Hal Leonard
Page Count: 214
SKU: 35-DS00497483

More about this title

About the Artist: Bruno Mars

Bruno Mars (Peter Gene Hernandez) built his career on meticulous production and a deep love of classic soul and funk. Before his solo breakthrough, he worked as a producer and songwriter, crafting hits for other artists and absorbing the grooves and sensibilities that define his own sound. His music draws directly from the funk and R&B traditions of the 1970s and 80s, filtered through a modern pop lens that has made him one of the most commercially successful recording artists of the 2010s.

Mars' attention to detail in both songwriting and arrangement translates into music that works exceptionally well in educational settings. His hooks are memorable, his rhythmic sense is infectious, and his songs contain the kind of structural clarity that students can actually learn from. "Uptown Funk," a collaboration with producer Mark Ronson, exemplifies this approach: it's a celebration of groove and precision that rewards rehearsal and pays off immediately in performance.

Why we love this

Don Henken has captured the infectious energy and tight rhythmic pocket of "Uptown Funk" while keeping the arrangement singable for a three-part mixed ensemble. The arrangement respects what made the original compelling (the locked-in groove, the crisp articulation, the swagger) without demanding soprano soloists or extreme ranges. Choirs that nail this piece will have legitimate fun performing it, and audiences will recognize it immediately.

What to expect

Slick, precise, and undeniably groovy. The arrangement pulls you into a propulsive rhythm from the first measure, with layered parts that lock together like a well-oiled machine. There's swagger here without arrogance, and the kind of musical joy that comes from executing tight ensemble writing at speed.

Who it's for

Directors programming a pops or secular concert who want a contemporary hit that actually engages singers and audiences without compromising musicianship. This works for upper middle school through adult choirs with at least some rehearsal flexibility and reasonable ensemble stability.

How to get the most out of it

  • Lock the rhythm section (basses and altos, particularly) into a consistent, relentless groove. This song lives and dies by pocket and precision; the melody sits on top of a foundation that must not waver.
  • Shape the syllabic text with intention. Consonants should be sharp and coordinated; the funky feel depends on rhythmic clarity from every section.
  • Keep the soloists and tutti sections clearly defined. Dynamic contrast between the lead vocal moments and the full choir will highlight the arrangement's structure and keep energy fresh across the 214 pages of material.
  • Drill the syncopated figures separately. Funk arranging often places accents in unexpected places; isolated section work ensures everyone hears where the beat actually lands.

How to use it

This lands perfectly as a concert closer or as a palate cleanser mid-program between heavier classical or spiritual repertoire. Its contemporary energy and recognizable hook make it an excellent choice for a pop or pops concert, and it builds natural momentum for a strong final bow.

Skills your students will build

  • Singing in a consistent rhythmic pocket and maintaining groove across phrases
  • Coordinating syncopated rhythms within and across voice parts
  • Executing clean, precise articulation on syllabic text in a funk style
  • Balancing solo and ensemble roles within a single arrangement
  • Listening critically to rhythmic alignment and responding to ensemble feedback in real time

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