Up On The Housetop Sheet Music Preview

Up On The Housetop: 2-Part Choral Octavo

As performed by B.R. Hanby / Arranged by Cristi Cary Miller

Item: 35-DS00302296

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00302296

More about this title

About the Artist: B.R. Hanby

Benjamin Russel Hanby (1833-1867) was an American songwriter and composer whose prolific output shaped the landscape of 19th-century popular song. Though his career spanned fewer than two decades, he wrote over 80 compositions, many of which became beloved standards that endure in American culture today. His gift for melody combined with accessible, singable lines made his work ideal for domestic music making and community performance.

Handy's compositions reflected the tastes and sentiments of his era, from sentimental parlor songs to spirited holiday numbers. "Up On The Housetop" stands as one of his most recognizable and performed works, capturing the playful anticipation of Christmas morning with a melody that invites immediate participation from singers of all abilities.

Why we love this

Cristi Cary Miller's two-part voicing strips this beloved tune to its musical essentials without sacrificing the character that makes it memorable. The arrangement gives middle school choirs and younger high school ensembles a holiday selection with genuine personality, one that feels neither oversimplified nor condescending. Singers commit to a recognizable melody while developing basic part independence, and audiences connect immediately with a tune they already know and love.

What to expect

Cheerful and immediate, this arrangement radiates the pure joy of Christmas anticipation. The melody bounces along with an almost music-box quality, supported by straightforward harmonic movement that feels warm without demanding dramatic interpretation.

Who it's for

Middle school choirs benefit most from this arrangement, though it works equally well for beginning high school singers or adult community choirs seeking accessible holiday material. The two-part voicing introduces part singing without overwhelming singers still developing sight-reading skills.

How to get the most out of it

  • Keep the tempo buoyant and energetic; resist the urge to drag. The playfulness of the text depends on rhythmic momentum.
  • Balance the two parts carefully during unison sections so neither voice dominates when they move together.
  • Articulate the text crisply, especially on repeated syllables like "ho, ho, ho" and "click, click, click" to capture the song's lighthearted spirit.
  • Encourage singers to imagine the scene as they perform. The melody naturally reflects the childlike wonder of the text if singers connect to the storytelling.

How to use it

Pair this with other holiday selections for a winter concert that includes both well-known favorites and lesser-known gems. The ten-page format makes it substantial enough to warrant its own rehearsal attention while remaining light enough to prepare quickly alongside other December repertoire.

Skills your students will build

  • Sustaining independent lines while singing in two parts
  • Reading simple harmonic progressions and chord changes
  • Coordinating text articulation across ensemble members
  • Intonation in unison and two-part passages

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