Up on the Hip-Hop House Top Cover Image

Up on the Hip-Hop House Top: Concert Band Conductor Score

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Up on the Hip-Hop House Top Cover Image

Up on the Hip-Hop House Top: Concert Band Conductor Score

Arranged by Bryce Newton

Grade: 3

Item: 98-RWS223401

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Description
Santa may be "Up on the Housetop," but certainly not all is calm! Bryce Newton's clever arrangement takes the familiar tune and adds unique twists and turns that your ensemble and audiences will find entertaining and just plain fun. Lively percussion writing and interesting wind parts that provide each musician with something exciting to play. This is a sure-fire way to add variety and depth to your next holiday program!

Original Item#: RWS-2234-01

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Additional Details
Series: RWS - Concert Band
Publisher: RWS Music Company
ISBN10: 1-4706-9691-6
ISBN13: 978-1-4706-9691-7
UPC: 038081612768
SKU: 98-RWS223401

More about this title

Why we love this

Newton's arrangement respects the original melody while genuinely entertaining both players and listeners through unexpected harmonic turns and rhythmic surprises. The percussion section gets real work to do here, and wind players in every section find themselves with engaging countermelodies rather than filler parts. It's the kind of holiday piece that makes audiences smile without feeling like a novelty act.

What to expect

Imagine the familiar carol suddenly waking up in a room full of surprises. There's energy and playfulness here, a wink toward the audience, but the foundation remains solid. Your ensemble plays something genuinely musical while the room lights up.

Who it's for

Grade 3 concert bands looking for a holiday program piece that engages both young players and their families. This works whether you're programming a winter concert, a holiday pops show, or a community performance where accessibility matters as much as musicality.

How to get the most out of it

  • Lock the percussion section into a unified groove first. The rhythmic vitality of this arrangement lives or dies with how tightly your timpani, snare, and mallets sit together.
  • Bring out the internal countermelodies in the woodwinds during tutti passages. These lines give the arrangement its personality and prevent the familiar tune from feeling static.
  • Mark the dynamic shifts clearly in your parts before rehearsal. Newton uses sudden changes in texture and volume to create comedic effect, so your ensemble needs to see them coming.
  • Consider the balance between tradition and novelty. This works best when the original tune remains recognizable beneath the fun; resist the urge to bury it under arranging ideas.

How to use it

Save this for the second half of your concert, where it can follow more serious repertoire and send audiences out smiling. The Grade 3 difficulty keeps it accessible without feeling condescending to your ensemble, making it ideal for December programs where you need something both entertaining and musically substantive.

Skills your students will build

  • Playing syncopated rhythmic figures alongside a familiar melodic line
  • Balancing between supporting countermelody and primary melody within the same phrase
  • Responding to quick dynamic and textural shifts cued by the conductor
  • Listening across sections to maintain rhythmic cohesion in a piece driven by groove rather than meter alone

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