Up-Grade! Alto Saxophone, Grades 1-2 Cover Image

Up-Grade! Alto Saxophone, Grades 1-2: Saxophone Book

$13.99 USD
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Up-Grade! Alto Saxophone, Grades 1-2 Cover Image

Up-Grade! Alto Saxophone, Grades 1-2: Saxophone Book

Light Relief Between Grades

By Pam Wedgwood

Level: Early Elementary

Item: 12-0571520812

$13.99
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Description
This book is perfect for those looking for something to bridge the gap between exams.

Pam Wedgwood's inimitable, style is guaranteed to breathe new life into your playing - the varied pieces in this bright new collection range from toe-tapping jazzy numbers to more classical styles, all designed to ease you gently on towards the next grade.
So lighten up and move on with Up-Grade!

Up-Grade! Alto Saxophone, Grades 1-2: Saxophone Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Faber Edition: Up-Grade! Series
Publisher: Faber Music
Page Count: 12
ISBN10: 0-571-52081-2
ISBN13: 978-0-571-52081-7
UPC: 9780571520817
SKU: 12-0571520812

More about this title

About the Composer: Pam Wedgwood

Pam Wedgwood is a composer and arranger whose work has shaped instrumental music education for decades. Her pieces are known for their accessibility without condescension, blending musical substance with genuine appeal for young players. She has created extensive collections across multiple instruments, earning consistent recognition for her ability to write music that students actually want to play.

Wedgwood's compositional voice draws from jazz, folk, and classical traditions, allowing her to meet learners where they are while expanding their stylistic horizons. Her output spans method books, ensemble arrangements, and performance collections, all grounded in a deep understanding of what motivates student musicians.

Why we love this

Wedgwood writes with a genuine ear for what early-grade saxophonists can accomplish without feeling patronized. The stylistic variety here keeps repetitive practice from becoming tedious, and the jazz pieces offer something distinctly different from the classical fare most grade 1-2 students encounter. You'll find yourself reaching for this collection again and again because it actually sounds like music students want to make.

What to expect

The music moves between sunny, rhythmically engaging jazz grooves and more reflective classical moments, creating a sense of discovery across the pages. Each piece feels complete and musical in its own right, never a mere exercise disguised as a song.

Who it's for

Early elementary saxophonists working toward grade 2 exams or simply looking for engaging material between levels. This collection suits students in their first or second year of playing who benefit from stylistic variety and material that sounds polished without requiring advanced technique.

How to get the most out of it

  • Approach the jazzy pieces by listening to the swing feel before playing; even young saxophonists respond well to understanding the groove underneath the notes.
  • Use the classical pieces as opportunities to develop sustained tone and dynamic control without the technical demands that can frustrate early players.
  • Work through the collection in any order based on what your student needs to reinforce in a given week; the varied styles mean you can target different aspects of technique across lessons.

How to use it

Assign pieces from this collection during the stretch between graded exams or festival performances, when students need fresh material that maintains engagement. The shorter length and clear stylistic divisions make individual pieces ideal for student recitals or informal performance opportunities where showing range matters.

Skills your students will build

  • Jazz articulation and swing feel
  • Phrasing across different musical styles
  • Dynamic control and tone shaping
  • Rhythmic precision in syncopated figures
  • Musical interpretation beyond note-reading

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