Up Among The Chimney Pots (from The Nine-Fifteen Revue) Sheet Music Preview

Up Among The Chimney Pots (from The Nine-Fifteen Revue): Piano Vocal

By Kay Swift

Item: 35-DS00461347

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00461347

More about this title

About the Composer: Kay Swift

Kay Swift (1897-1993) was a composer, conductor, and pianist who broke through gender barriers in Broadway during the 1930s. She wrote the scores for several revue shows and musical comedies, establishing herself as a skilled craftsperson of popular song with genuine harmonic sophistication. Her work bridges the gap between Tin Pan Alley sensibility and the more developed compositional technique that would later define the Golden Age musical theater.

Why we love this

Swift's melodies sit naturally for the voice while maintaining enough harmonic interest to keep pianists engaged throughout. The song captures the witty, observational humor of 1930s revue theater without requiring elaborate staging or special effects.

What to expect

You're onstage in a sophisticated nightclub, observing the world with knowing humor and just a touch of social commentary. The music feels urbane and conversational, colored by warm jazz harmonies that suggest 1930s New York without ever losing its focus on the story being told.

Who it's for

Singers working through American musical theater repertoire and pianists seeking engaging early-20th-century popular song material. This four-page selection works well for recital programs, audition prep, or vocal jazz and musical theater classes.

How to get the most out of it

  • Balance the vocal line so it emerges clearly from the piano texture; Swift's accompaniment patterns can easily cover a tentative singer.
  • Shape the phrases with natural speech rhythms rather than squared-off musical beats to let the character's wry observations land.
  • Coordinate any tempo flexibility between voice and piano through rehearsal; the accompaniment contains enough figuration that rushing or dragging becomes obvious quickly.

How to use it

Pair this with other revue numbers or standard songs from the same era to create a program segment exploring how early Broadway composers used character observation and humor. It also fits naturally into audition portfolios that need a comedic female song with substance.

Skills your students will build

  • Understanding the relationship between conversational phrasing and musical phrasing in popular song
  • Managing detailed piano accompaniment patterns while maintaining vocal clarity
  • Interpreting character comedy through musical nuance rather than broad theatrical gestures

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