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Up!: Choral Octavo SoundTrax CD

$21.95 USD
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Up!: Choral Octavo SoundTrax CD

Words and music by Shania Twain and R. J. Lange / arr. Teena Chinn

Item: 00-CDM03030

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Description
This new Shania Twain hit was featured during the 2003 Super Bowl halftime show for an audience of millions. The driving pace of this contemporary country hit will bring excitement to any concert. Teena Chinn's arrangement captures all the authentic sounds of the original.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 654979059608
SKU: 00-CDM03030

More about this title

About the Composer: Shania Twain

Shania Twain is a Canadian singer and songwriter who rose to prominence in the 1990s as one of the best-selling music artists of all time. Her crossover success bridged country and pop audiences, and her distinctive vocal style and songwriting partnership with producer Robert "Mutt" Lange created some of the era's most recognizable hits. In music education contexts, her work offers contemporary repertoire that engages student singers with accessible melodies and production values they recognize from popular culture.

Why we love this

This arrangement gives choirs access to a song that millions heard during prime-time television, which instantly connects your singers to a larger cultural moment. Teena Chinn's orchestration preserves the driving energy of the original while remaining singable for mixed voices, making it an excellent choice for concerts that need contemporary appeal without sacrificing musicality.

What to expect

Energetic and propulsive, with the kind of driving beat that makes an audience sit up and pay attention. The piece carries the authentic production sheen of a modern country hit, but Chinn's arrangement layers in enough harmonic interest to keep singers engaged through the rehearsal process. It's a number that feels contemporary and familiar at once.

Who it's for

Mixed choirs looking for contemporary secular repertoire that connects with student singers' own musical world. Directors programming concerts that balance classical or spiritual literature with current popular hits will find this arrangement hits the mark. The SoundTrax CD makes it accessible for groups without a dedicated accompanist.

How to get the most out of it

  • Let the rhythm section lock in first; the groove is what makes this piece work. Singers should feel the pulse through the accompaniment rather than fighting against it.
  • Shape phrases with the natural stress points of the lyrics rather than bar lines. Country phrasing often sits slightly behind the beat, which gives the piece its characteristic swagger.
  • Balance the parts so the melody stays clear but the harmonic texture fills the sound. This isn't a piece where inner voices fade to background.
  • Lean into the contemporary vocal quality. The recorded accompaniment will guide your singers toward a more relaxed, conversational tone than classical choral singing requires.

How to use it

This works beautifully as an opener or closer on a concert where you're mixing repertoire styles, giving audiences a moment of immediate recognition and joy. It pairs well with other pop or musical theatre selections and provides a natural contrast if you're programming art songs or classical pieces. Consider it for pops concerts, casual community performances, or as a fun ensemble number in a more formal concert when you want to remind singers and audiences why they fell in love with singing.

Skills your students will build

  • Rhythmic precision in driving contemporary grooves
  • Singing with a relaxed, contemporary vocal tone over a steady beat
  • Balancing ensemble blend while maintaining individual phrase shape
  • Responding to recorded accompaniment without live pianist support

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