Unforgettable (arr. Roger Holmes): Jazz Ensemble Conductor Score & Parts
As performed by Nat King Cole / Arranged by Roger Holmes
Grade: 3-4
Item: 35-PK00445302
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Description
Nat King Cole's classic recording from 1951 and then the "duet" version recorded by his daughter Natalie in 1991 helped to make this tune truly "unforgettable." This well-paced version for vocal soloist stays true to the original style and includes a brief instrumental interlude for the band.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00445302
More about this title
About the Artist: Nat King Cole
Nat King Cole's smooth baritone and impeccable phrasing defined an era of popular music. His 1951 recording of "Unforgettable" became one of the most recorded standards in American music, showcasing his ability to transform a melody into something instantly recognizable and deeply personal. Cole's influence extends far beyond the vocal world; his interpretations have shaped how musicians across genres approach jazz standards and popular song.
Why we love this
Roger Holmes captures the unhurried elegance of Cole's original while giving your ensemble a genuine feature. The arrangement respects the melody's inherent simplicity yet provides enough harmonic sophistication and instrumental texture to keep players engaged without overwhelming them at this level.
What to expect
Sophisticated but never pretentious. The arrangement wraps around the melody like a perfectly tailored suit, giving the piece room to breathe while maintaining the warmth that made Cole's original so enduring. It feels like a complete jazz ensemble performance without ever losing sight of the song's intimate, romantic core.
Who it's for
Jazz ensembles at the Grade 3-4 level who want to feature a vocalist without needing advanced section technique. Directors programming a standard that audiences will recognize and enjoy while still offering educational value to developing players.
How to get the most out of it
- Balance the vocal soloist carefully during the first chorus. The band should provide support without drowning out the lyrical quality that makes this tune work.
- Shape the instrumental interlude with intentional dynamics. Let the band breathe and listen to each other rather than pushing through at a constant volume.
- Find the swing in your tempo and commit to it from downbeat one. This tune lives in its relaxed pocket, not in rushing.
- Use the bridge section to add subtle color changes in the voicings. Small adjustments in articulation between sections will keep the arrangement fresh through multiple choruses.
How to use it
This works beautifully in a concert built around American standards or classic popular music. Consider programming it alongside other well-known tunes to create a set that connects with your audience while demonstrating your ensemble's ability to handle vocal-driven arrangements. It's also an excellent choice for spring concerts or community performances where broader listenership is expected.
Skills your students will build
- Accompanying a vocal soloist with tasteful, supportive playing
- Reading and performing medium-swing jazz style with appropriate articulation
- Balancing volume and texture in ensemble voicings
- Playing a bridge section with harmonic awareness and tonal blend