Under The Sea Sheet Music Preview

Under The Sea: Trumpet Solo

As performed by Alan Menken & Howard Ashman / As performed by Howard Ashman

Item: 35-DS00328627

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00328627

More about this title

About the Artist: Alan Menken Howard Ashman

Alan Menken is a composer whose gift for melody has defined animated film music for generations. His scores for The Little Mermaid, Beauty and the Beast, Aladdin, and Hercules earned him four Academy Awards and shaped how millions of people experience storytelling through music. Howard Ashman, the lyricist who collaborated with Menken on these landmark films, brought wit, heart, and theatrical sophistication to every song. Their partnership proved that music written for children could be genuinely excellent; Ashman's lyrics matched Menken's invention phrase for phrase, creating songs that work equally well for a six-year-old hearing them for the first time and a music director staging them decades later.

Why we love this

This arrangement captures everything that makes the song irresistible: the infectious calypso groove, the playful orchestration, and those unforgettable melodic hooks that students will remember long after rehearsal ends. Programming a Disney song this well-crafted reminds your ensemble why they fell in love with music in the first place, and audiences respond with immediate joy and recognition.

What to expect

Sunlight on water. A steel drum melody carrying you somewhere tropical and carefree, with laughter woven through every phrase. The song moves with the easy confidence of a calypso groove, playful and warm, inviting everyone to let go and enjoy themselves.

Who it's for

Elementary and middle school choirs, youth theater ensembles, and community bands looking for a crowd-pleasing selection with real musical substance. This works for concert programming, musicals, or simply a moment in rehearsal when spirits need lifting and students need a reminder that music can be joyful.

How to get the most out of it

  • Nail the swing feel in the rhythm section to unlock the song's buoyant, relaxed character; it should sit just behind the beat, not pushed forward
  • Layer the articulation in the brass to mirror the vocal phrasing; short, punchy tonguing on the main theme keeps the energy bright and comic
  • Balance the ensemble parts so the melody always cuts through; this is a sing-along song at heart, and clarity matters more than blend
  • Let the accompaniment breathe between phrases; resist the urge to fill every space, which will tighten the groove

How to use it

Pair this with other Disney selections for a themed concert segment, or use it as a standalone opener to reset audience energy and establish a lighter tone for the second half of your program. Spring concerts especially benefit from music this effortlessly uplifting.

Skills your students will build

  • Singing and playing with swing articulation and rhythmic relaxation
  • Balancing melody prominence over accompanying parts
  • Maintaining groove in calypso and Caribbean rhythmic styles
  • Executing clean, comic phrasing in ensemble sections
  • Understanding arrangement and orchestration choices in vocal music adaptation

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