Under The Boardwalk Sheet Music Preview

Under The Boardwalk: SSA Choral Octavo

By Kenny Young / By Artie Resnick / As performed by Bette Midler / As performed by The Drifters / Arranged by Mac Huff

Item: 35-DS00131124

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Additional Details
Publisher: Hal Leonard
Page Count: 12
SKU: 35-DS00131124

More about this title

About the Composer: Kenny Young

Kenny Young co-wrote "Under the Boardwalk" with Artie Resnick in 1964, crafting one of the era's most enduring pop standards. The song became a signature hit for The Drifters and later for Bette Midler, proving its staying power across generations and vocal styles. Young's gift for memorable melody and accessible songwriting made this track a staple of popular music education and performance.

Why we love this

Mac Huff's SSA arrangement captures the nostalgic warmth of the original while keeping the voicing manageable for developing singers. The arrangement respects the song's timeless appeal without overshadowing the melody, making it equally at home in a pop concert or a mixed repertoire program. Your singers will enjoy performing something their audiences actually want to hear.

What to expect

Warm, nostalgic, and effortlessly cool. The arrangement channels the gentle sophistication of the original recordings while creating space for genuine choral blend and harmonic color. Singing this feels like stepping into a seaside moment frozen in time, intimate and sophisticated.

Who it's for

SSA choirs looking for repertoire that bridges pop and concert music without feeling lightweight or novelty-driven. Directors seeking a crowd-pleasing selection that still offers genuine musical substance and doesn't talk down to either singers or audiences.

How to get the most out of it

  • Let the harmonic movement breathe naturally; resist the urge to rush the laid-back groove that defines this tune.
  • Balance the three voice parts so the top line floats above without drowning out the inner voices that give the arrangement its character.
  • Work dynamics as a unified section; the understated quality of the arrangement rewards careful shaping rather than dramatic contrasts.
  • Dial in the vowels early, especially on the sustained notes, so the blend tightens without sounding stiff.

How to use it

Pair this with other standards from the American songbook for a retro-pop concert, or use it as a palate cleanser between heavier concert works. It also works beautifully as an opener that immediately connects with your audience and sets a warm tone for the evening.

Skills your students will build

  • Balancing three-part harmony with clear voice independence
  • Sustaining legit tone in pop idiom without losing natural phrasing
  • Responding to lyrical storytelling and character in secular repertoire
  • Blending across chord changes while maintaining intonation

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