Under The Boardwalk Sheet Music Preview

Under The Boardwalk: SATB Choral Octavo

By Kenny Young / By Artie Resnick / As performed by Bette Midler / As performed by The Drifters / Arranged by Mac Huff

Item: 35-DS00131122

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Additional Details
Publisher: Hal Leonard
Page Count: 12
SKU: 35-DS00131122

More about this title

About the Composer: Kenny Young

Kenny Young co-wrote "Under the Boardwalk" with Artie Resnick in 1964, creating one of the most enduring pop standards of the early rock and roll era. His gift for crafting memorable melodies with genuine emotional resonance made him a sought-after songwriter during the 1960s, producing material that has remained in the popular repertoire for six decades.

Why we love this

Mac Huff's arrangement captures the nostalgic charm of the original without losing the rhythmic ease that makes this tune so singable. The four-part writing sits comfortably in the voice, and the harmonic color feels both period-appropriate and fresh enough to surprise even singers who think they know this song inside out.

What to expect

Warm summer nostalgia wrapped in close harmonies. The arrangement evokes the carefree ease of the original recording while giving your choir ownership of the lyrical sweetness and subtle swing that made this a standard.

Who it's for

Choirs seeking accessible pop repertoire that appeals to audiences across age groups and doesn't require extensive rehearsal time to sound polished. The octavo format makes it practical for groups of all sizes, from smaller concert choirs to larger community ensembles.

How to get the most out of it

  • Balance the melody between soprano and alto lines in the verse sections; this tune lives in the interplay between voices rather than a single lead.
  • Keep the rhythm section locked and relaxed throughout. The groove should feel effortless, not metronomic.
  • Pay attention to the vowel shapes on sustained notes in the chorus to maintain the warm, nostalgic character of the arrangement.
  • Let the harmonic movement breathe naturally rather than pushing for precision on every chord change; this music rewards a conversational approach.

How to use it

Position this as a program closer or early second-half selection when you want to shift from concert classics into lighter, more audience-friendly material. It pairs naturally with other pop standards and provides a natural bridge if you're programming a themed concert around oldies or vintage Americana.

Skills your students will build

  • Balancing independent lines within a homophonic texture
  • Maintaining rhythmic ease and swing feel across four voices
  • Shaping vocal lines to support harmonic movement rather than melody
  • Tuning seventh chords and jazz voicings in close harmony

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