Under the Big Top: Sounds of the Circus Cover Image

Under the Big Top: Sounds of the Circus: Brass Quintet

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Under the Big Top: Sounds of the Circus Cover Image

Under the Big Top: Sounds of the Circus: Brass Quintet

Arranged by James Haynor

Level: Medium-Difficult

Item: 81-BQ14410

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Description
Bring the sounds and excitement of the big top to your concerts with this medley of circus favorites. You'll conjure up images of the "Grand March," "Elephant Parade," "Trapeze," "Jugglers," "Clowns," "Aerials," and "Final Galop" with a "Ta Da" thrown in to send your audiences home smiling and checking their shoes for saw dust. A fun to perform piece that gives everyone something to play, this medley will delight "men, women, and children of all ages."

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-129-2
ISBN13: 978-1-77157-129-6
UPC: 685462021307
SKU: 81-BQ14410

More about this title

Why we love this

Haynor nails the balance between entertainment and musicianship. Every brass quintet member gets genuine material to play rather than padding around a melody, and the medley structure keeps energy high without feeling scattered. Audiences respond instantly to circus themes, which means you get that rare combination of crowd-pleasing fun and legitimate repertoire for your ensemble.

What to expect

Playful nostalgia wrapped in genuine brass writing. You'll feel the sawdust, the spotlight, and the slightly chaotic joy of ringside action. The medley structure keeps surprises coming: one moment you're marching with elephants, the next you're threading through jugglers' patterns, before a final burst sends everyone out laughing.

Who it's for

Brass quintets at the intermediate to advanced level who want a piece that works equally well at a concert or festival. This arrangement suits groups that can handle independent parts and want to program something that energizes both performers and listeners without requiring orchestral depth.

How to get the most out of it

  • Nail the rhythmic precision in the "Grand March" and "Final Galop" sections. These moments anchor the entire medley, so lock in as a unit before layering in the theatrical character.
  • Bring contrast to each vignette. The "Elephant Parade" needs weight and swagger; the "Jugglers" should feel nimble and quick. Shift your tone color and articulation between movements to make the transitions land with the audience.
  • Treat the "Ta Da" moment like the punchline it is. Hold back slightly on the final chord, let the silence sit, then deliver it with a unified snap. This is your closing applause.
  • Balance clarity with color in the middle sections like "Trapeze" and "Aerials." These passages work best when every line remains audible but the overall sound stays warm and blended.

How to use it

Program this as a second-half opener or closer at a concert. Its narrative arc and theatrical charm provide strong contrast to more traditional brass repertoire, and it works beautifully as a palate cleanser between heavier works. Festivals often appreciate the technical challenge paired with audience appeal.

Skills your students will build

  • Maintaining rhythmic independence within a unified ensemble sound
  • Articulation variety and character changes across multiple musical vignettes
  • Balanced intonation across different dynamic and rhythmic textures
  • Reading and performing fast passage work clearly without sacrificing musicality
  • Responding to sudden changes in tempo and texture across a medley structure

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