Undecided: Jazz Ensemble Conductor Score & Parts
By Sid Robin / By Charles Shavers / Arranged by Mike Tomaro
Grade: 4
Item: 35-PK00157181
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Undecided - Conductor Score (Full Score) | $7.50 | |
| Undecided - Alto Sax | $6.00 | |
| Undecided - Tenor Sax | $6.00 | |
| Undecided - Baritone Sax | $6.00 | |
| Undecided - Trumpet 1 | $6.00 | |
| Undecided - Trumpet 2 | $6.00 | |
| Undecided - Trombone | $6.00 | |
| Undecided - Guitar | $6.00 | |
| Undecided - Piano | $6.00 | |
| Undecided - Bass | $6.00 | |
| Undecided - Drums | $6.00 | |
| Undecided - C Solo Sheet | $6.00 | |
| Undecided - Bb Solo Sheet | $6.00 | |
| Undecided - Eb Solo Sheet | $6.00 | |
| Undecided - Bass Clef Solo Sheet | $6.00 | |
| Undecided - Alternate Alto Sax | $6.00 | |
| Undecided - Alternate Tenor Sax | $6.00 | |
| Undecided - Alternate Trombone | $6.00 |
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Description
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More about this title
About the Composer: Sid Robin
Sid Robin composed during the golden age of American popular song, crafting melodies that became standards in the jazz repertoire. His work bridges the worlds of Broadway and jazz, creating pieces with strong harmonic foundation and singable lines that have sustained their appeal across generations of musicians.
Why we love this
Mike Tomaro's orchestration is a masterclass in economy. He creates genuine ensemble fullness across six horns by exploiting the tonal contrast between trombone and baritone sax in the foreground, letting them carry the melodic weight while the other voices establish cohesion and swing. The result feels expansive without requiring a large section.
What to expect
Bright, propulsive swing with a sophisticated harmonic landscape. The interplay between the featured trombone and baritone sax creates a warm, conversational quality that keeps the arrangement grounded even as the tempo pushes forward.
Who it's for
Grade 4 jazz ensembles ready to tackle an arrangement that rewards precision and section balance. This works well for groups with solid fundamentals in their rhythm section and confident solo chairs.
How to get the most out of it
- Lock the trombone and baritone sax into a tight rhythmic pocket; their featured role at the top demands that they sit precisely together on the beat, especially during the head.
- Balance the inner voices carefully during section hits. The other brass and saxes need to support without overshadowing your soloists.
- Maintain consistent swing throughout. The uptempo setting demands confident, relaxed articulation from all players to preserve the groove.
How to use it
Perfect for a mid-season concert where you want to showcase arrangement craft and section voices. Place it alongside other standards to highlight how different voicings and orchestrations can reimagine the same material, or use it as an opener to establish energy and style.
Skills your students will build
- Swing interpretation and consistent rhythmic subdivision in uptempo settings
- Sectional balance between featured soloists and supporting harmony
- Phrasing and articulation within tight ensemble contexts
- Reading and executing characteristic jazz voicings and section writing