Uncontrollable Urge: Marching Band Conductor Score & Parts
By Mark Mothersbaugh / As performed by Devo / Arranged by Michael Brown
Grade: 2-3
Item: 35-PK00259049
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About the Composer: Mark Mothersbaugh
Mark Mothersbaugh is the keyboardist and primary songwriter for Devo, the influential new wave band that emerged from Akron, Ohio in the mid-1970s. His compositional approach blends angular synth hooks with driving rhythmic foundations, creating instantly recognizable material that bridges art rock intellectualism and pop accessibility.
Beyond Devo's recording legacy, Mothersbaugh has become a prolific film and television composer, scoring work for Rugrats, The Venture Bros., and numerous independent films. His ability to write memorable melodic content within unconventional harmonic frameworks makes his work particularly valuable for music education contexts where students benefit from exposure to contemporary songwriting that doesn't follow traditional pop-song templates.
Why we love this
This arrangement captures the obsessive energy of the original without requiring your students to navigate unnecessarily complex orchestration. The Grade 2-3 scoring lets younger players sink their teeth into a legitimate rock composition that commands attention on its own merits, rather than relying on novelty or nostalgia to land. Your band will feel the difference between playing "a fun rock song" and playing something with actual compositional wit.
What to expect
Restless and propulsive. The piece moves forward with a sense of urgent, contained chaos—the musical equivalent of nervous energy channeled into motion. Your audience will feel the building momentum, and your band will experience the satisfaction of executing tightly orchestrated material that mirrors the controlled frenzy of the original recording.
Who it's for
Band directors who want to program contemporary rock material without stepping outside the educational mainstream. This works equally well for directors building a concert with crowd appeal and those who want students to engage with post-1960s composition. Grade 2-3 ensembles with solid fundamentals and rhythm section players who can commit to a consistent pulse.
How to get the most out of it
- Nail the rhythmic precision of the main riff as a whole section. The piece's identity lives in that motorik pulse, so lock it in during early rehearsals before adding dynamics or interpretation.
- Keep the energy consistent across sustained passages. The arrangement likely features sections where texture thins out; resist the urge to let the sound collapse in those moments.
- Balance the front line parts with the rhythm section. Since this is a rock arrangement, the bass line and drums anchor everything; make sure those players understand they're carrying the harmonic and rhythmic weight.
- Lean into the recording as a rehearsal tool. Mothersbaugh's original has a specific rhythmic character that your students can internalize by listening actively during sectionals.
How to use it
Position this as a set opener or bridge between concert staples and contemporary work. It pairs well on a program that includes other new wave or art rock selections, or stands alone on a sports event where immediate impact matters. The Grade 2-3 accessibility means you can program it early in the season and revisit it toward year's end once your ensemble has developed better rhythmic precision.
Skills your students will build
- Maintaining rhythmic precision under sustained tempo
- Balancing independent melodic lines with ensemble cohesion
- Interpreting rock-era articulation and phrasing in a marching context
- Listening actively to recorded reference material for style accuracy
- Understanding rhythm section roles in driving harmonic and rhythmic foundations