Unbroken Praise: SATB Choral Octavo

Redman and Myrin crafted lyrics that genuinely resonate with singers, and Kingsmore's arrangement respects that emotional core while giving your SATB section real vocal independence. The piece avoids the trap of oversimplification that sometimes plagues modern hymns; there's actual harmonic interest here that rewards careful preparation.

Unbroken Praise has the warmth of a contemporary hymn paired with the crafted sophistication of an art song. Singers feel the emotional weight of the text even as they navigate clean voicings and honest harmonies.

Any SATB choir looking for accessible yet substantial modern sacred repertoire. Works equally well in worship settings and concert programs, and stands up to the musical demands of serious community and church choirs.

• Balance the phrase architecture carefully. These lines need breath points that feel natural to sing, not just places where the music happens to pause.
• Let the sopranos breathe on their high passages rather than holding through for effect. Endurance matters less than clarity and musicality.
• Shape dynamics in conversation with the lyrics. Find where the text naturally wants to crescendo or pull back, then build your vocal tone accordingly.
• Record a sectional rehearsal of the alto and tenor parts together. Their interplay anchors the harmonic foundation and prevents them from getting lost under sopranos.

Pair this with traditional hymns or older sacred anthems to show the continuity of the hymn tradition across centuries. It also works beautifully as an encore or as the centerpiece of a worship concert, where its text can land with particular resonance.

• Singing modern harmonic language with classical voice production
• Balancing independence with blend in four-part writing
• Text expression in contemporary sacred music
• Phrase shaping and breath management across longer lines