Un Poco Loco (from Coco) (arr. Mark Brymer) Sheet Music Preview

Un Poco Loco (from Coco) (arr. Mark Brymer): 3-Part Mixed Choral Octavo

Arranged by Mark Brymer

Item: 35-DS00404035

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Additional Details
Publisher: Hal Leonard
Page Count: 13
SKU: 35-DS00404035

More about this title

About the Arranger: Mark Brymer

Mark Brymer is a prolific arranger whose work appears regularly in school music programs across the country. His arrangements span classical standards, Broadway favorites, and contemporary pop, all crafted with attention to accessibility without sacrificing musical substance.

Why we love this

Brymer captures the infectious energy and Latin rhythmic flavor of this Pixar hit while keeping the three-part mixed voicing manageable for middle school and young high school choirs. The arrangement respects the original melody that audiences know while creating genuine harmonic interest, making it a crowd-pleaser that doesn't feel condescending to your singers.

What to expect

Exuberant and playful, with the bouncy Latin rhythms and colorful orchestration that made the original memorable. There's joy here, built on a foundation of steady groove and harmonic movement that feels both familiar and fresh.

Who it's for

Middle school and young high school choirs looking for contemporary, culturally engaged repertoire that resonates with students. This works equally well for mixed voice ensembles seeking upbeat, shorter concert pieces or for programs wanting to incorporate film music that's both accessible and fun.

How to get the most out of it

  • Establish the rhythmic groove early in rehearsal by isolating the percussion accompaniment. Your singers need to lock into that Latin feel, not fight against it.
  • Pay attention to articulation and syllable clarity, especially in faster passages. Spanish vowels should remain pure and forward even at tempo.
  • Balance the melody line carefully so it sits above the supporting parts without dominating; this is ensemble singing, not a solo feature.
  • Let the recorded accompaniment do the harmonic and rhythmic heavy lifting in early rehearsals so singers can focus on their own lines and blend.

How to use it

Pair this with other world music or Spanish language selections for a thematically cohesive set, or use it as a high-energy closing number when you want to send the audience out smiling. The thirteen-page length and moderate difficulty make it an ideal choice for spring concerts or pops programs.

Skills your students will build

  • Latin rhythmic coordination and groove
  • Spanish language pronunciation and diction
  • Blend and balance in three-part mixed texture
  • Reading harmonic movement across multiple vocal lines

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