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Ultimate Movie Instrumental Solos for Strings: Viola Book & Online Audio/Software/PDF

$19.99 USD
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Ultimate Movie Instrumental Solos for Strings Cover Image

Ultimate Movie Instrumental Solos for Strings: Viola Book & Online Audio/Software/PDF

Arr. various, ed. Bill Galliford

Level: 2--3

Item: 00-40129

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Description
Alfred's Ultimate Movie Instrumental Solos series arranged for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, cello, and optional piano accompaniment. All wind instrument arrangements are fully compatible, and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment recording is provided, featuring each song as a live performance demo track followed by a play-along track. The media also includes a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software.

Contains 60 songs, including: Cantina Band * Follow the Yellow Brick Road / We're Off to See the Wizard * Gollum's Song * Hedwig's Theme * James Bond Theme * Obliviate * Pink Panther Theme * Raiders March * Superman Theme * Wonka's Welcome Song * and many more.

Due to level considerations regarding keys and instrument ranges, the wind instrument arrangements are not compatible with the string instrument arrangements in this series. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Ultimate Movie Instrumental Solos for Strings: Viola Book & Online Audio/Software/PDF comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Ultimate Pop Instrumental Solos Series
Publisher: Alfred Music
Page Count: 84
ISBN10: 0-7390-9195-6
ISBN13: 978-0-7390-9195-1
UPC: 038081447384
SKU: 00-40129
Instrumentation: Viola

More about this title

Why we love this

Sixty recognizable film scores give violists immediate motivation to practice. The arrangements sit comfortably in accessible keys and ranges while preserving the melodic character that makes these themes memorable, so students hear themselves succeeding from day one.

What to expect

Stepping into the orchestra pit. Each theme carries the emotional weight of its film, whether that's the dark mystery of James Bond, the whimsy of the Wizarding World, or the adventure of Indiana Jones. Even at this manageable level, students feel the cinematic pull that makes these melodies iconic.

Who it's for

Violists completing a first method book or at the end of Grade 2 through early Grade 3, ready to play from solo repertoire with accompaniment. This collection works equally well for students preparing a solo recital or learning music through repertoire they recognize.

How to get the most out of it

  • Use the play-along tracks during rehearsal to build confidence with the accompaniment; many violas benefit from hearing the full orchestration before performing live.
  • The Tempo Changer software lets you slow challenging passages without losing musical coherence. Start 10-15% slower on any theme with quick articulation changes, then work up gradually.
  • Balance tone production across passages that shift between lyrical and rhythmic material. Film themes often demand both singing legato lines and crisp articulation within the same movement.

How to use it

Build a film music concert by mixing solos and duets across the evening. Pairing viola solos with flute or cello versions creates variety while reinforcing that students are learning the same beloved themes across the string section. These pieces also work as recital openers or closers, especially for students who need a confidence boost before tackling more challenging classical work.

Skills your students will build

  • Reading and playing in multiple keys across the range of Grade 2-3 viola repertoire
  • Maintaining steady pulse while listening to a full orchestrated accompaniment
  • Balancing legato phrasing with rhythmic clarity in film-style articulation
  • Sight-reading thematic material from a variety of composers and film genres
  • Responding to dynamic and expressive changes that drive cinematic storytelling

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