Ubi Caritas: SSA Choral Octavo
By John Leavitt
Level: Moderately Difficult
Item: 00-PO-0005220
Minimum order quantity: 20 copies
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More about this title
About the Composer: John Leavitt
John Leavitt is a prolific composer whose choral works have become staples in high school and collegiate music programs. Known for his accessible yet musically sophisticated approach to sacred texts, Leavitt has built a catalog that balances lyrical writing with singable ranges and clear harmonic language.
His settings of Latin texts, including the widely performed Festival Sanctus and Gloria, demonstrate his gift for honoring liturgical tradition while crafting pieces that engage modern singers. Leavitt's output spans concert works, stage music, and educational repertoire that challenges singers without overwhelming them.
Why we love this
Leavitt's harmonic language here is warm without being sentimental, giving the text genuine reverence while keeping the part writing within reach of solid high school choirs. The SSA voicing opens this profound text to groups that might otherwise skip Latin sacred repertoire, and the moderate difficulty level means you can program it without requiring an ensemble at the top of your roster. Directors consistently find that singers connect to the emotional arc of Ubi Caritas when it's sung with intention, making it a rewarding choice for festivals and concert programs alike.
What to expect
The music unfolds with a gentle, meditative quality that honors the text's focus on charity and communal love. Leavitt's harmonic palette moves through warm progressions that feel both grounded and luminous, creating an intimate space for the singers and listeners to dwell in the meaning of the words.
Who it's for
This piece suits high school choirs with intermediate musicianship and above, particularly those seeking sacred repertoire beyond English texts. It works equally well for church choirs looking for accessible yet substantial Latin literature and for festival programming where SSA voicing is required or preferred.
How to get the most out of it
- Shape each phrase with careful attention to text declamation; the Latin vowels should sing freely, but consonants need definition to keep the sacred text intelligible from the audience.
- Balance the two upper voices so neither dominates; in sections where they move in parallel or octaves, blend them as a unified line rather than as separate parts.
- Approach dynamic changes gradually rather than abruptly, allowing the harmonic movement to emerge naturally from the voice leading.
- Support the emotional weight of the text through breath placement and legit tone production; this piece requires singers to sustain a contemplative, connected quality throughout.
How to use it
Pair this with other sacred works in a concert program to create a coherent thematic arc, or use it as a showcase piece for your SSA ensemble at festivals and competitions. Its moderate difficulty and emotional accessibility make it an ideal choice for programming alongside more technically demanding pieces on the same concert, allowing singers to demonstrate versatility and musicality.
Skills your students will build
- Reading and singing Latin text with proper pronunciation and vowel formation
- Balancing upper voices in SSA voicing while maintaining independence
- Sustaining legato phrasing across longer phrases with text-appropriate breathing
- Understanding harmonic function and voice leading in a tonal sacred context
- Interpreting emotional content and textual meaning through musical choices