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Two Songs for the Holidays: Concert Band Conductor Score

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Two Songs for the Holidays Cover Image

Two Songs for the Holidays: Concert Band Conductor Score

Jolly Old Saint Nick March & Angels We Have Heard On High

Arranged by Mark J. Connor

Level:.5

Item: 98-RWS193301

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Description
Using just the first six notes and simplified rhythms, "Two Songs for the Holidays" features two Christmas classics and is scored for success. "Angels We Have Heard On High" and "Jolly Old St. Nicholas" by arranger Mark Connor is written for beginners to be played at their very first holiday concert. Playable with a flexible instrumentation, this is a welcome addition to holiday literature for our youngest musicians.

Original Item#: RWS-1933-01

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Additional Details
Series: RWS - Very Beginning Band
Publisher: RWS Music Company
ISBN10: 1-4706-9808-0
ISBN13: 978-1-4706-9808-9
UPC: 038081613932
SKU: 98-RWS193301

More about this title

About the Arranger: Mark J. Connor

Mark J. Connor has built a reputation as an arranger who understands the practical realities of beginning band programs. His arrangements for the Very Beginning Band series demonstrate a keen ear for what young musicians can accomplish when material is thoughtfully scaled to their abilities.

Connor's approach prioritizes accessibility without sacrificing musicality. By selecting well-loved repertoire and distilling it to its essential melodic and rhythmic elements, he creates pieces that allow students to experience the satisfaction of playing recognizable music from their very first concerts.

Why we love this

These arrangements respect the reality of early December rehearsals and give your newest musicians something genuinely playable for a holiday concert. Connor's decision to build both pieces from just six notes removes the barrier of unfamiliar fingerings while keeping the melodic integrity intact, so students hear themselves playing real music, not exercises.

What to expect

Warm and approachable, with the gentle familiarity of two carols that audiences recognize instantly. The straightforward textures and reduced range create an almost intimate sound, making these pieces feel like genuine musical moments rather than technical hurdles.

Who it's for

Beginning band students preparing for their first or second holiday concert. These arrangements work equally well for a brand-new program starting in fall or for an established band that needs accessible material for younger students joining the ensemble.

How to get the most out of it

  • Balance the melody between sections rather than letting it rest with a single instrument; rotating the tune across woodwinds and brass builds engagement and distributes the workload.
  • Keep the tempo conversational and warm rather than brisk; these pieces benefit from space and breath, which also gives younger players time to feel secure in their parts.
  • Rehearse the rhythm patterns independently before layering them with melody; even simplified rhythms need clarity when multiple sections are playing together.
  • Use the flexible instrumentation as an asset by assigning parts based on what students have mastered, not just their printed part name; this flexibility is designed to let you adapt to your actual ensemble.

How to use it

Slot these back-to-back in your holiday concert as an accessible opener that settles the audience and builds confidence in your youngest players before moving into more challenging repertoire. They also work well as an intermission piece or as the closing number if you want to end with something light and universally loved.

Skills your students will build

  • Reading and sustaining simple whole and half note rhythms
  • Playing within a limited range while listening to ensemble balance
  • Maintaining steady tempo as part of a larger group
  • Understanding flexible instrumentation and adapting to different section assignments
  • Connecting melodic shape to familiar musical phrases

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