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Two Seconds to Midnight: Jazz Ensemble Conductor Score

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Two Seconds to Midnight Cover Image

Two Seconds to Midnight: Jazz Ensemble Conductor Score

By Alan Baylock

Grade: 4.5 (Medium Advanced / Difficult)

Item: 00-JEM02044C

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Description
Treat your band to some of the best contemporary big band writing ever! Featuring trombone and guitar soloists, this chart is perfect for festivals or concerts. Composer Alan Baylock is one of the finest writers on the jazz scene today and with Two Seconds to Midnight he delivers the following: energy, style, a modern rock-fusion groove, an intimate small group sound, the power of the full ensemble...you get the picture. It's all there and it's HOT! (5:54)

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Additional Details
Series: Premier Jazz Series
Publisher: Alfred Music
Page Count: 24
UPC: 654979037682
SKU: 00-JEM02044C

More about this title

About the Composer: Alan Baylock

Alan Baylock

Alan Baylock has shaped the sound of contemporary big band jazz through decades of high-profile work as a composer, arranger, and bandleader. His 20-year tenure as Chief Arranger for the United States Air Force Band's Airmen of Note established him as a master of ensemble writing, while his three albums with the Alan Baylock Jazz Orchestra earned critical acclaim and extensive touring across the country. He earned degrees from Shenandoah University and the University of North Texas, where he later taught as Jazz Composer-in-Residence before taking the helm of the Grammy-nominated One O'Clock Lab Band.

Baylock's influence extends far beyond composition. He has guest-conducted more than 100 jazz ensembles at professional, collegiate, and high school levels and served as faculty director of the National Jazz Workshop's All-Star Big Band. In 2022, he co-founded Brava Jazz Publishing with composer Annie Booth, a publishing venture dedicated to amplifying women composers and arrangers in big band jazz. His arrangements have been recorded by an extraordinary range of artists spanning jazz royalty (Maynard Ferguson, Freddie Hubbard, Kenny Werner) to contemporary leaders (Melissa Aldana, Joshua Redman, Sean Jones), and his work transcends jazz through collaborations with symphony orchestras and cross-genre artists including Chaka Khan and Spyro Gyra.

Why we love this

Baylock writes with the confidence of someone who has spent decades inside the big band tradition and knows exactly how to make every section count. The piece delivers genuine sophistication without requiring your ensemble to be flawless from the first rehearsal; the rhythmic energy and soloist features reward students for their effort in ways that keep them engaged through the whole process. This is the kind of contemporary chart that wins jazz festivals because it swings hard while feeling fresh.

What to expect

Two Seconds to Midnight charges forward with energy and swagger, grounded in a modern rock-fusion pulse that feels urgent and current. The piece shifts fluidly between high-powered full-ensemble sections and more intimate moments where a small group voice emerges, creating a dynamic arc that never settles into predictability.

Who it's for

Medium-advanced to difficult jazz ensembles (Grade 4.5) with musicians confident enough to handle contemporary harmonic language and willing to grow through the arrangement's demands. Your ensemble needs at least one capable trombone soloist and a jazz-fluent guitarist to bring the full character of the piece to life.

How to get the most out of it

  • Lock in the modern rock-fusion groove at the ensemble level before isolating soloists. The chart's power depends on a tight rhythmic foundation across the entire section.
  • Rehearse the trombone and guitar solos separately from the ensemble framework. This allows your soloists to explore their voice while you clean up comping patterns and background figures.
  • Balance the intimate small-group passages against the full ensemble's power. Mark these sectional dynamics clearly in your score so transitions feel intentional rather than accidental.
  • Work the transitions between groove sections deliberately. Baylock shifts between different ensemble textures, and clarity here will make the 5:54 duration feel purposeful rather than episodic.

How to use it

Use this as a festival closer or centerpiece for a spring jazz concert where you want to showcase your ensemble's maturity and stylistic range. The contemporary writing and soloists' featured roles make it an excellent anchor for a program that mixes classic big band standards with current jazz literature.

Skills your students will build

  • Reading modern jazz harmonies and contemporary harmonic language
  • Executing rock-fusion rhythmic grooves with precision and pocket
  • Balancing ensemble sound across sectional dynamics and textural shifts
  • Accompanying and comping behind featured soloists in real time
  • Navigating transitions between ensemble sections and small-group passages

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