Two Pieces, Op. 17: A Tale, Witches' Dance Cover Image

Two Pieces, Op. 17: A Tale, Witches' Dance: Sheet

$6.95 USD
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Two Pieces, Op. 17: A Tale, Witches' Dance Cover Image

Two Pieces, Op. 17: A Tale, Witches' Dance: Sheet

By Edward MacDowell

Item: 36-50760007

$6.95
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Description

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Additional Details
Series: Master Keyboard Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62156-305-7
ISBN13: 978-1-62156-305-1
UPC: 654690491183
SKU: 36-50760007
Instrumentation: Piano

More about this title

About the Composer: Edward MacDowell

Edward MacDowell (1860, 1908) was the first American composer to gain international recognition, bridging European Romantic traditions with distinctly American musical voices. His piano works represent some of the most lyrical and approachable solo repertoire written on either side of the Atlantic, combining technical clarity with genuine emotional depth.

Why we love this

MacDowell's Op. 17 pairs two contrasting character pieces that give intermediate pianists immediate wins. 'A Tale' invites storytelling through straightforward lyricism, while 'Witches' Dance' delivers rhythmic energy and textural variety without becoming gratuitously difficult. Both sit comfortably in the hands of students ready to move beyond simplified arrangements but not yet into virtuosic demands.

What to expect

A Tale unfolds with intimate, almost nostalgic warmth, like revisiting a familiar memory with new appreciation. Witches' Dance crackles with mischievous energy; the rhythmic vitality and harmonic color suggest movement and drama without feeling overwrought.

Who it's for

Intermediate pianists who want to explore character pieces with genuine substance beyond the preparatory level. Teachers looking to program American composer work that holds students' attention through clear musical storytelling. Students developing interpretive skills and expressive control over technical facility alone.

How to get the most out of it

  • Shape 'A Tale' through natural breath points rather than rigid phrase divisions; let the melody breathe as if it's being sung rather than played.
  • Approach the rhythmic figures in 'Witches' Dance' with rhythmic precision first, then layer in the expressive details once the skeleton is secure.
  • Balance the texture in both pieces by avoiding the trap of making the accompaniment louder than the primary voice; the supporting material should recede naturally.

How to use it

Pair these as a recital set to showcase American Romantic repertoire without the programming weight of larger sonata forms. Either piece works well as a bridge between 19th-century European masters and later American composers in a thematic concert. The emotional accessibility makes them natural choices for student showcases or informal concert contexts.

Skills your students will build

  • Shaping lyrical melody lines with phrase architecture
  • Managing rhythmic figures in dance-like contexts
  • Balance between foreground and accompaniment textures
  • Interpretation within a clear harmonic structure
  • Pedal control for color and sustain in character pieces

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