Two Little Stars for Trombone and Piano Cover Image

Two Little Stars for Trombone and Piano: Trombone/ Euphonium, Solo with Piano, Book

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Two Little Stars for Trombone and Piano Cover Image

Two Little Stars for Trombone and Piano: Trombone/ Euphonium, Solo with Piano, Book

By Floyd O. Harris

Grade: 2

Item: 36-10530146

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Description
This work for developing brass players is a wonderful edition to the teaching repertoire. Versions exist for trumpet/cornet, trombone, and baritone B.C. solos with piano, and also trumpets/cornets, trombones, and trumpet/cornet and trombone duets, also with piano accompaniment.

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Additional Details
Series: LudwigMasters Brass Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-361069-1
ISBN13: 978-163-361-0699
UPC: 612735935368
SKU: 36-10530146
Instrumentation: Trombone Solo and Piano

More about this title

About the Composer: Floyd O. Harris

Floyd O. Harris composed educational brass music that became a staple in American music curricula during the mid-20th century. His writing demonstrates a clear understanding of how developing players learn; his pieces sit comfortably under the hand while maintaining musical integrity.

Why we love this

Harris crafted this piece with the developing trombone player in mind, balancing musicality with technical accessibility. The straightforward solo line sits comfortably in the intermediate range while the piano part provides harmonic support without overwhelming the soloist. It's the kind of piece that builds confidence in young brass players without feeling like a study.

What to expect

Two Little Stars has a gentle, accessible charm that never patronizes the performer. The melodies are straightforward and singable, with a character that sits somewhere between a warm character piece and a modest teaching work.

Who it's for

This solo is written for developing trombone and euphonium players who have mastered the basics of their instrument and are ready for their first performance piece. It works well for students in the 2-3 year range of study, whether in a band program or private studio setting.

How to get the most out of it

  • Establish a steady, lyrical tone from the opening phrase. The simplicity of the melody depends entirely on your ability to sustain warm, even sound across the range.
  • Work closely with your pianist on the tempo and character; the piano accompaniment shapes the musical phrasing, so coordinate your breathing and phrase endings together.
  • Shape the line with gentle dynamics rather than relying on accents. Let the natural contour of the melody guide your expressive choices.

How to use it

Assign this as a recital solo for a developing brass student, or program it in a chamber concert alongside other solos from the LudwigMasters Brass Series to create a varied concert of accessible brass literature. It's also an ideal choice for a young soloist's first formal performance outside the band setting.

Skills your students will build

  • Lyrical phrasing and breath control in sustained melodic passages
  • Intonation and tone consistency across a comfortable range
  • Ensemble awareness and coordination with piano accompaniment
  • Performance confidence in a solo recital setting

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