Two Irish Folk Songs: Oboe Sheet Music Preview

Two Irish Folk Songs: Oboe

Arr. Gary Fagan

Grade: 1.5 (Easy)

Item: 00-PC-0015117_O1

Digital Download
$3.00
Description
Two traditional Irish folk songs are featured in this colorful arrangement: "Star of the County Down" and "Brennan on the Moor."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Two Irish Folk Songs: Oboe comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Sample Video
Additional Details
Series: Alfred Debut Series
Publisher: Alfred Music
Page Count: 122
SKU: 00-PC-0015117_O1

More about this title

About the Arranger: Gary Fagan

Gary Fagan

Gary Fagan has spent his career building music programs across Virginia and beyond. After 36 years directing bands in Albemarle County, he transitioned to higher education, where he supervises student teachers and teaches arranging at James Madison University. His work has been performed at prestigious venues including the Midwest Band and Orchestra Clinic and the White House, and he holds degrees in music education and conducting from Bridgewater College and JMU.

Recognized as Central Virginia's Outstanding Middle School Teacher and honored by the Virginia Governor's School for the Visual and Performing Arts, Fagan remains active as a clinician, adjudicator, and percussionist with the Charlottesville Band. His memberships in ASCAP, the National Band Association, and Phi Beta Mu Bandmasters Fraternity reflect his ongoing commitment to the profession. He continues to compose and arrange for band and string orchestra.

Why we love this

Fagan's arrangements sit at that sweet spot where accessibility meets genuine musical substance. Two beloved Irish melodies emerge here with full orchestration and character, never talking down to young musicians. Directors will appreciate how cleanly the parts lay under student hands while the conductor score reveals thoughtful inner voices and subtle color that reward careful preparation.

What to expect

These are songs born in open fields and storied pubs, now dressed for the concert stage with bright color and clear narrative. The familiar melodies ground students while the arrangement adds gentle sophistication, creating music that feels both welcoming and earnest.

Who it's for

Young concert bands in their first or second year of playing together will find these arrangements perfectly suited to their technical range and musical sensibility. Directors looking for culturally inclusive repertoire that doesn't sacrifice musicality will value how these folk songs introduce Irish traditional music in an accessible arrangement.

How to get the most out of it

  • Balance the melody across clarinet and trumpet sections early in rehearsal; these instruments trade the tune, and young players need to hear how the accompaniment supports rather than competes.
  • Shape the phrase endings with slight diminuendos even at grade 1.5 difficulty. Irish folk melodies live in their phrasing, and small dynamic gestures teach young musicians how to sing on their instruments.
  • Let the low reeds and low brass establish a steady foundation in the first rehearsal; secure bass lines free the upper voices to focus on melodic clarity and alignment.
  • Use the recorded accompaniment to establish tempo and groove if available, then rehearse without it to build independence and ensemble listening skills.

How to use it

Program these pieces in a fall or winter concert paired with other folk arrangements or multicultural selections to celebrate diverse musical traditions. They also work beautifully as a unit within a larger concert celebrating Irish culture or as stepping stones in a curriculum that builds ensemble balance and phrase awareness across the school year.

Skills your students will build

  • Balancing melody and accompaniment across mixed instrument families
  • Shaping phrases in folk melodies using dynamic control
  • Reading straightforward concert band textures and instrumentation
  • Maintaining rhythmic precision in duple and triple meter figures
  • Listening skills for ensemble blend and intonation in supported parts

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