Two Holland Tales Cover Image

Two Holland Tales: Brass Quintet Score & Parts

$15.00 USD
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Two Holland Tales Cover Image

Two Holland Tales: Brass Quintet Score & Parts

Traditional / arr. Ryan Meeboer

Level: Easy-Medium

Item: 81-BQ222544

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Description
Inspired by two folk songs from the arranger's Dutch heritage---Two Holland Tales arranged by Ryan Meeboer for brass quintet---is a piece that combines both lyrical and upbeat sections. "Daar waren twee koningskinderen" (There Were Two Royal Children) is the opening lyrical movement. The piece then moves into "Toen ik op Nederlands bergen stond" (I Once Stood On the Netherland's Hills). This is a fast movement in 6/8.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-867-X
ISBN13: 978-1-77157-867-7
UPC: 685462028689
SKU: 81-BQ222544
Instrumentation: Brass Quintet

More about this title

About the Arranger: Ryan Meeboer

Ryan Meeboer is an arranger with a gift for drawing repertoire from cultural heritage and adapting it for ensemble contexts. His work often reflects a deep connection to traditional music, which he translates into accessible, performable arrangements for student and community ensembles.

Why we love this

Meeboer captures the emotional range of Dutch folk tradition without overwhelming an Easy-Medium brass quintet. The arc from lyrical storytelling to rhythmic vitality gives your ensemble a complete musical statement in one package, and the cultural specificity makes it a natural fit for programming that celebrates heritage and diversity.

What to expect

The opening unfolds like a Dutch folk narrative, spare and emotional, before the piece pivots into the dance-like energy of the mountains. The contrast between storytelling and celebration gives the whole work a sense of cultural authenticity that feels both intimate and spirited.

Who it's for

Brass quintet directors looking for repertoire that balances lyricism with rhythmic interest at a level that doesn't demand advanced technique. This is ideal for ensembles ready to move beyond unison or simple arrangements but still building ensemble cohesion and balance.

How to get the most out of it

  • Balance the sustained melodic lines in the opening movement so the lyrical content remains clear across all five voices; resist the urge to let the low brass dominate.
  • Lock the rhythmic feel of the 6/8 fast movement early in rehearsal by establishing where the pulse lives (on the dotted quarter, not the eighth). This prevents the second movement from feeling rushed or unmoored.
  • Use the transition between movements as a breathing point for the ensemble; the contrast is most effective when both tempos and characters feel intentional rather than abrupt.

How to use it

Program this as part of a concert exploring folk traditions across cultures, or place it alongside art songs and ballads where its narrative dimension will resonate with audiences. The two-movement structure and accessible difficulty also make it suitable for a spring concert where you want to include your developing brass players without programming them as soloists.

Skills your students will build

  • balancing sustained melody across a five-voice ensemble
  • articulation control in contrasting tempos and characters
  • reading and executing 6/8 meter at moderate tempo
  • responding to cultural and stylistic context in arrangement

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