Two-Gether We Sing: Spirituals Cover Image

Two-Gether We Sing: Spirituals: Choral CD Kit

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Two-Gether We Sing: Spirituals Cover Image

Two-Gether We Sing: Spirituals: Choral CD Kit

10 Spirited Arrangements for 2-Part Voices

Arr. Sally K. Albrecht, Jay Althouse, Andy Beck, Greg Gilpin, Donald Moore, Patsy Ford Simms, and Jim Swofford, orch. Tim Hayden

Grade: 2--7

Item: 00-37999

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Description
Two-Gether We Sing: Spirituals offers 10 fabulous beginning 2-part selections for year-round use. These spirited arrangements feature timeless melodies with strong, independent counterlines, great for young and developing choirs. It's the perfect way to introduce your groups to reading and performing 2-part choral music. Products available: Teacher's Handbook (includes Reproducibles), Enhanced CD (Accompaniment/Performance tracks plus reproducible PDF files of Student Pages & Cover Art), or price-saving Book & CD Kit. Try putting together a program grouping of several of these songs. Sing one, sing two, sing a few! 100% reproducible. Grades 2--7.

Titles: All Night, All Day * Animals A-Comin' * Down by the Riverside * Ezekiel and David * If I Have My Ticket * Kum Ba Yah * Rise, Shine, Little Light * Wade in the Water * What You Gonna Call Your Pretty Little Baby? * Who Will Be a Witness?

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Additional Details
Series: Two-Gether We Sing
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-8649-9
ISBN13: 978-0-7390-8649-0
UPC: 038081424712
SKU: 00-37999

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over thirty years, first as Director of School Choral and Vocal Publications for major educational publishers, most recently Alfred Music, and continuously as a prolific composer and arranger with more than 600 published works. Her contributions to the field have earned her annual ASCAP Special Music Awards since 1987, and she has conducted honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught in music departments at Oakland University, Jersey City State College, and Meredith College. Beyond her compositional work, she served as Chair of the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society and received their "Pillar of Leadership" award. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees.

Why we love this

These arrangements strike a rare balance between accessibility and musical substance. Young singers encounter genuine countermelody writing and independent voice parts without the harmonic complexity that often derails developing choirs, and the spiritual tradition itself carries the emotional weight that keeps rehearsals feeling purposeful rather than didactic.

What to expect

These spirituals breathe with the resilience and hope of their tradition. The melodies are warm and instantly singable, yet the independent counterlines give singers real musical work to do, creating the satisfying feeling of genuine ensemble singing even at an early level. Performances have an authenticity and dignity that young singers respond to immediately.

Who it's for

Choral directors leading grades 2 through 7 choirs, particularly those introducing 2-part harmony and countermelody reading to singers encountering these concepts for the first time. This collection works equally well in general music classrooms seeking spirituals as cultural touchstones and in choir programs building foundational ensemble skills.

How to get the most out of it

  • Balance the two parts by having singers listen across parts during rehearsal, not just within their own line. Spirituals gain their power from the interplay of voices, so isolate each part briefly, then layer them together to build independence before full ensemble singing.
  • Attend to the rhythmic vitality of these traditions. Even at a moderate tempo, spirituals demand clear articulation and forward-moving phrasing that comes from understanding the cultural context and emotional intention behind each song.
  • Use the accompaniment tracks strategically: sing a cappella in rehearsal to strengthen part independence, then add accompaniment only after singers are secure in their lines.
  • Shape each piece dynamically even when the notation appears simple. These melodies come from a rich oral tradition, and small variations in dynamics and tempo can make the difference between a functional reading and a performance that resonates.

How to use it

String several of these selections together into a single concert program that explores the spiritual tradition, or scatter them across the year as part of a broader liturgical or seasonal calendar. The reproducible format and accessible level make them ideal for all-school assemblies and community events where inclusive, joyful singing is the goal.

Skills your students will build

  • Reading and maintaining independent melodic lines in 2-part texture
  • Singing countermelody while listening to a different primary melody
  • Understanding call-and-response and antiphonal singing in the spiritual tradition
  • Developing ensemble balance and blend across voice parts
  • Recognizing and performing rhythmic independence within a unified harmonic structure
  • Interpreting style and emotional expression in sacred choral music

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