Two-Gether We Sing: Christmas Cover Image

Two-Gether We Sing: Christmas: Choral CD Kit

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Two-Gether We Sing: Christmas Cover Image

Two-Gether We Sing: Christmas: Choral CD Kit

10 Festive Arrangements for 2-Part Voices

By Sally K. Albrecht, Jay Althouse, Lynn Shaw Bailey, Andy Beck, Michael Clawson, Mary Donnelly, Brian Fisher, Greg Gilpin, Ruth Morris Gray, Donald Moore, Ruth Elaine Schram, and George L. O. Strid / recording orchestrated by Tim Hayden

Grade: 2--7

Item: 00-43243

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What a fantastic way to bridge the gap between unison singing and two-part harmony! This winning addition to the Two-Gether We Sing series features 10 festive chorals for the holidays, written and arranged with tuneful melodies and strong, independent counterlines. Put several of these holiday songs together to create a December performance. Sing one, sing two, sing a few! Recommended for grades 2--7. Book is 100% reproducible.

Titles: Antiphonal Deck the Hall * The First Noel / Pachelbel's Canon * Jeannette, Isabella * Jingle Bell Dash * Light the Lights * Love Came Down * Merry Christmas, Feliz Navidad * Merry Christmas! Merry Christmas!

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Additional Details
Series: Two-Gether We Sing
Publisher: Alfred Music
Page Count: 80
ISBN10: 1-4706-2389-7
ISBN13: 978-1-4706-2389-0
UPC: 038081487854
SKU: 00-43243

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has built a distinguished career as a choral composer, conductor, and clinician with particular expertise in incorporating movement into choral performance. Since 1987, she has been a consistent recipient of the ASCAP Special Music Award and maintains over 600 published choral works alongside 75 larger songbooks and musicals. She has led honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and spent more than three decades directing school choral and vocal publications for Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. She served as Chair of the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society and received their Pillar of Leadership award. In 2021, she was honored with the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she continues to serve on the Board of Trustees. She resides in Wake Forest, North Carolina with her husband, composer and arranger Jay Althouse.

Why we love this

This collection solves a real curricular need by offering purposeful, musical transitions from unison to part singing without sacrificing melody or tunefulness. The 10 pieces give you real flexibility: teach them one at a time, combine several for a full December concert, or use individual songs throughout your winter programming. The fact that the book is 100% reproducible means every student can have music without the cost burden.

What to expect

Bright, festive, and approachable. Each piece retains the melodic warmth and accessibility that makes holiday music engaging for young singers, while the counterlines add sophistication and harmonic depth without overwhelming less experienced musicians. The result feels celebratory and full, like unison singing has suddenly gained dimension.

Who it's for

Grades 2 through 7 general music classes and classroom singers developing part-singing skills for the first time. This collection works equally well for beginning choir programs or mixed-age music classes where unison singing has been established and singers are ready to move toward harmonic independence.

How to get the most out of it

  • Start with pieces that feature a clear melodic line in the soprano part and let students anchor themselves there before asking them to track an independent counterline. This builds confidence in two-part independence gradually.
  • Use the recorded accompaniments to lock the harmonic foundation, especially when students are first negotiating the interplay between parts. Hearing the correct sonority while they sing helps ear training develop alongside part-singing skills.
  • Teach the parts separately before combining them. Give each voice part its own rehearsal time so singers develop security in their line before managing the independence a two-part arrangement requires.
  • Stagger the entry of parts during early rehearsals (one part sings while the other listens, then reverse). This isolates the challenge of tracking your own line while hearing others and prevents everyone from defaulting to unison.

How to use it

Build an entire December concert by selecting three to five of these arrangements and layering them throughout your winter performance. Alternatively, teach one new piece every week or two during your holiday unit, allowing students to experience the progression from two-part fundamentals to greater independence over time. You might also use individual songs as warm-ups or skill-builders before introducing more complex part-singing challenges later in the year.

Skills your students will build

  • Singing independent melodic lines while tracking harmonic counterparts
  • Maintaining a part line without defaulting to unison when other voices sing different material
  • Reading and performing two-part arrangements with clear harmonic function
  • Listening to and blending with other voice parts in real time
  • Building confidence in part-singing through tuneful, engaging holiday repertoire

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