Two French Carols: String Bass
Besançon and Venez Divin Messie
Arranged by Deborah Baker Monday
Grade: 2.5
Item: 00-PC-0019454_SB
Pickup currently not available
Description
Two French Carols: String Bass isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Arranger: Deborah Baker Monday

Deborah Baker Monday built her career on the conviction that string education thrives when students play music that matters to them. After 25 years leading the Logan City orchestra program (which earned consistent recognition for excellence), she stepped back from full-time teaching but remained deeply engaged as a guest clinician, conductor, and supervisor. Her formal training included a B.M.E. from Florida State University with specialization in string pedagogy, an M.M. in composition from the University of Alabama, and advanced study at Louisiana State University under James Yestadt.
Monday's compositional voice emerged from her dual expertise: years of performing as a bassist in regional orchestras combined with intimate knowledge of what students can achieve at each level. She has published over 130 works across seven publishing companies, with particular focus on educational string literature. Her peers recognized this contribution through multiple awards, including the UtahASTA Composition Competition wins in 2006 and 2011, and she has been invited to present and conduct at state conferences nationwide, The Midwest Clinic, and the Ohio State String Teachers Workshop.
Why we love this
Monday weaves two distinct carols into a single satisfying arc without losing the identity of either tune. The Grade 2.5 scoring stays transparent enough for developing ensembles to hear what they're doing, yet the counterpoint and rhythmic independence across parts keep experienced young players engaged. At 2:15, it fits naturally into a holiday program without feeling like filler.
What to expect
Bright and propulsive, with the kind of melodic warmth that makes holiday music resonate without becoming sentimental. The arrangement crackles with the energy of two familiar tunes sharing the same rhythmic space, creating moments of genuine musical conversation rather than simple stacking.
Who it's for
String orchestras at the intermediate level who need repertoire that feels substantial without overwhelming developing players. This works equally well for school orchestras preparing a holiday concert or chamber ensembles looking for joyful, accessible holiday programming.
How to get the most out of it
- Balance the two melodies carefully during the weaving sections. Assign one melody to a specific section (first violins, for example) so players know when they're carrying the primary line and when they're providing harmonic support.
- Keep the rhythmic energy consistent throughout; resist the urge to slow down on the second carol when it arrives. The piece gains momentum from maintaining a steady tempo across both melodies.
- Use the conductor parts to clarify entrances when melodies shift between sections. Young orchestras benefit from clear cueing at phrase boundaries where one group releases and another takes over.
How to use it
Open a holiday concert with this piece to set an energetic, celebratory tone immediately. It also serves well as a bridge between more serious seasonal works or as a standalone closer that leaves the audience in a festive frame of mind.
Skills your students will build
- Balancing independent melodic lines within a single ensemble
- Maintaining rhythmic precision while tracking harmonic movement
- Transitioning smoothly between primary and supporting roles across sections
- Interpreting articulation and phrasing decisions that clarify textural shifts