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Two French Carols: String Orchestra Conductor Score & Parts

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Two French Carols Cover Image

Two French Carols: String Orchestra Conductor Score & Parts

Besançon and Venez Divin Messie

Arranged by Deborah Baker Monday

Grade: 2.5

Item: 00-51975

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Description
Two French Carols is an energetic and joyful arrangement by Deborah Baker Monday that features two beloved French carols: "Besançon" (also known as "Carol of the Bells") and "Venez, Divin Messie," a French Advent carol. The two melodies weave together seamlessly as the arrangement unfolds. A delightful holiday addition! (2:15)

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Additional Details
Series: MakeMusic Intermediate Strings
Publisher: MakeMusic Publications
ISBN10: 1-4706-7346-0
ISBN13: 978-1-4706-7346-8
UPC: 038081595672
SKU: 00-51975

More about this title

About the Arranger: Deborah Baker Monday

Deborah Baker Monday

Deborah Baker Monday spent 25 years leading the Logan City orchestra program, which earned recognition for excellence throughout her tenure. She holds a B.M.E. from Florida State University in string education and an M.M. in composition from the University of Alabama, where she studied with several respected composers including Harold Schiffman, John Boda, and Dinos Constantinides. She performed as a bassist with regional orchestras while pursuing advanced studies at Louisiana State University.

After transitioning to the Logan City School District as a low string specialist, Monday built a prolific composing and arranging career focused on educational strings, with over 130 published works across seven publishers. She has won the UtahASTA Composition Competition twice, earned recognition from both UtahASTA and UtahMEA for her contributions to music education, and presented her work at state conferences and national venues including The Midwest Clinic and the Ohio State String Teachers Workshop. She continues mentoring students as a guest clinician and conductor.

Why we love this

Monday's gift for blending two distinct melodies into a cohesive whole shows here in how naturally the two French carols weave together. The arrangement respects the character of each carol while building genuine momentum, making this feel like a fresh take rather than a simple medley. String directors appreciate how she balances accessibility with musical substance, delivering something that sounds polished and intentional even at Grade 2.5.

What to expect

Bright and celebratory, with an infectious energy that builds as the two melodies intertwine. The piece carries the warmth of traditional French carols while the orchestration gives it a spirited, contemporary feel that keeps audiences engaged from start to finish.

Who it's for

String orchestras at the intermediate level (grades 2-3 in any secondary setting) looking for holiday repertoire that sounds festive without oversimplifying the arrangement. This works equally well for elementary and middle school programs with solid fundamentals, giving developing players something musically rewarding to perform.

How to get the most out of it

  • Balance the dialogue between sections when the two melodies overlap. Use separate rehearsals to solidify each carol's identity before combining them.
  • Attend to dynamic contrast between the carols. Let the energy shift naturally as you transition from one theme to the other.
  • Shape the phrase endings with intentional releases rather than letting them fall flat. This maintains the joyful character throughout.
  • Mark bowings consistently across all parts so the ensemble moves together during the seamless transitions between the two melodies.

How to use it

Schedule this for a December concert where you need a substantial holiday piece that doesn't require soloists or special instrumentation. The 2:15 duration and Grade 2.5 level make it an efficient addition to a program that includes larger winter works, or it can anchor a shorter holiday set alongside caroling or community performances.

Skills your students will build

  • Listening for and balancing multiple simultaneous melodic lines
  • Controlling dynamics within a single phrase to shape musical sentences
  • Maintaining rhythmic precision during transitions between thematic material
  • Responding to conductor cues for entries in dialogue passages
  • Sustaining tone quality while accompanying other melodic voices

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