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Two for Three: Conductor Score & Parts

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Two for Three: Conductor Score & Parts

By Percy Hall

Grade: 1

Item: 36-20512427

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Description
The title Two for Three simply refers to two pieces for three players. It was originally written for trumpet trio, then published for sax trio, and has been a popular piece in Ohio contests in both versions. Now it is also published for flute trio. The opening section is very lyrical with flowing melodic lines and close harmonies calling for expressive playing. The second section is basically a march and must be played in the staccato-marcato style. Players will learn how to balance some harmonic dissonances, and each part is assigned several two measure solos. Range is not a problem avoiding the lowest and highest ranges of the instrument making the prospects of proper balance possible. OMEA Class: C

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Two for Three: Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
Page Count: 14
ISBN10: 1-57-891427-2
ISBN13: 978-1-57-891427-2
UPC: 660355151071
SKU: 36-20512427
Instrumentation: Bb Trumpet Trio

More about this title

Why we love this

Two for Three has earned its reputation through genuine musicality at an accessible level. The contrast between the lyrical opening and the rhythmic march section gives young players real expressive work to do, while the solo passages ensure every player gets meaningful moments in the spotlight without overextending their range.

What to expect

The piece opens with intimate lyricism; the three voices weave together in close harmony that rewards attentive listening and blended tone. When the march arrives, the energy shifts completely—a crisp, propulsive section that demands rhythmic precision and articulation control before resolving back into the gentle opening character.

Who it's for

Intermediate trumpet trios looking for substantive repertoire that avoids extremes of range and focuses on musicianship. This works well in school settings, youth orchestras, and contest preparation where balanced ensemble work matters as much as individual skill.

How to get the most out of it

  • Shape the opening section with long phrases that breathe naturally; the flowing melodic lines demand legit singers, not just note readers.
  • Approach the march section as true marcato, not heavy staccato. The bounce should feel clean and rhythmic, never clipped or aggressive.
  • Balance the harmonic dissonances by listening vertically during rehearsal. Have players hum their parts against each other to develop awareness of where tensions live.
  • Give each player ownership of their two-measure solos. These are chances to develop individuality and confidence; encourage them to shape their lines with intention.

How to use it

Program this as a complete standalone work in a recital or concert setting where it can showcase both the technical and expressive range of your trumpet section. Its contest pedigree and moderate length make it ideal for festival performances or as a contrasting piece alongside larger trumpet ensemble works.

Skills your students will build

  • Blending close harmonies and balancing chord voicings
  • Marcato articulation with rhythmic precision
  • Lyrical phrasing and legit legato playing
  • Managing harmonic dissonance by ear
  • Solo performance and individual voice projection within an ensemble
  • Navigating two distinct musical characters and mood shifts

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