Two Easter Hymns Cover Image

Two Easter Hymns: Brass Quintet Score & Parts

$15.00 USD
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Two Easter Hymns Cover Image

Two Easter Hymns: Brass Quintet Score & Parts

Various / arr. David Marlatt

Level: Medium

Item: 81-BQ18459

$15.00
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Description
The two famous hymns "Christ the Lord Is Risen Today" and "Jesus Christ Has Risen Today" have been arranged as an accompaniment for the original hymn. This can be used to replace an organ or to augment it. There has been a trumpet descant arranged for each hymn that can be played on the final verse.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-478-X
ISBN13: 978-1-77157-478-5
UPC: 685462024797
SKU: 81-BQ18459
Instrumentation: with Organ

More about this title

Why we love this

Marlatt's arrangement respects the integrity of two beloved Easter hymns while giving brass players a genuine musical role beyond simple doubling. The optional trumpet descants on the final verses add a moment of brilliance that feels earned rather than tacked on, and the flexibility to use these parts with or without organ makes them practical for any Easter service.

What to expect

Stately and joyful, with the warm harmonic foundation of a brass quintet lending depth to melodies known in every Christian tradition. The trumpet descants lift the sound into brightness on the final verse, creating a moment of celebration that feels both reverent and triumphant.

Who it's for

Music directors planning Easter services who have a brass quintet available and want to enhance traditional hymn singing without replacing it entirely. This works for church musicians, high school and college chapel programs, and community brass ensembles looking for sacred repertoire with immediate performance value.

How to get the most out of it

  • Balance the hymn tune clearly in the upper voices so singers can hear their line. The brass is supporting, not leading.
  • Rehearse the trumpet descants separately before combining them with the full quintet. The upper register demands precision and a supported tone.
  • If using organ accompaniment as well, coordinate dynamics with the organist in advance. Brass will need to blend, not overpower.
  • Take time on the final verse where the descant enters. A slight broadening of tempo, agreed upon with any singers or organist, heightens the moment.

How to use it

Use this as the centerpiece of an Easter service's hymn singing, positioning it where the congregation can join the familiar tune while hearing new instrumental color. Alternatively, program both hymns as a short brass interlude before or after the sermon, performed with or without congregational singing depending on your liturgical context.

Skills your students will build

  • Harmonic balancing in a quintet texture
  • Supporting a melody without obscuring it
  • High register trumpet technique and endurance
  • Collaborative ensemble playing across multiple dynamic levels
  • Interpretation of hymn-based music with appropriate reverence and style

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