Two Christmas Nights Cover Image

Two Christmas Nights: Conductor Score & Parts

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Two Christmas Nights Cover Image

Two Christmas Nights: Conductor Score & Parts

By Clarence E. Barber

Item: 36-50250007

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Description
Few people are aware that there are two different settings of the popular It Came Upon the Midnight Clear. Clarence Barber has crafted both into a refreshing new Christmas work that provides interesting parts for all voices. Technical demands are small enough to allow for the teaching focus to center on tone production and lyrical, expressive playing.

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Additional Details
Series: LudwigMasters Holiday Music for Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134614-7
ISBN13: 978-1-57-134614-8
UPC: 654690517388
SKU: 36-50250007
Instrumentation: String Orchestra

More about this title

About the Composer: Clarence E. Barber

Clarence E. Barber is a composer and arranger whose work centers on accessible orchestral writing for student ensembles. His approach prioritizes clarity of texture and singable melodic lines, making his pieces effective teaching tools across a range of ability levels.

Why we love this

Barber's decision to weave both melodic settings into a single work transforms what could have been a straightforward arrangement into something genuinely fresh. String directors will appreciate how the piece prioritizes musical fundamentals over technical showmanship, creating space for real teaching about tone, phrasing, and ensemble blend without overwhelming younger players.

What to expect

Warm and reflective, with the gentle familiarity of a beloved carol refracted through two different lenses. The piece invites contemplation rather than spectacle, letting the natural beauty of string tone carry the emotional weight.

Who it's for

String orchestras at the intermediate level will find this work accessible and rewarding. The modest technical demands make it ideal for groups looking to build musicianship and expressive control rather than navigate complex fingerings or bowings.

How to get the most out of it

  • Shape the phrases as though singing them; Barber's focus on lyricism means every section should think about breath and line rather than moving mechanically between notes.
  • Balance the two melodic settings so that the shift between them feels intentional, not like a change of tune. Let the arrangement reveal the relationship between the two versions.
  • Attend closely to dynamic markings in the inner voices. Second violins and violas often carry essential harmonic color that gets lost if only the melody receives attention.

How to use it

This works beautifully in a holiday concert as a centerpiece that balances more elaborate festive works. Its moderate length and warm character also make it an excellent choice for community performances or educational concerts where you want to showcase thoughtful musicianship.

Skills your students will build

  • Expressive tone production and dynamic control
  • Phrasing and structural awareness across variations of the same melodic material
  • Inner voice independence and harmonic listening
  • Ensemble balance in arrangements emphasizing melody and accompaniment clarity

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