Twenty-Five Preludes, Opus 28-45 Cover Image

Twenty-Five Preludes, Opus 28-45: Piano Book

$8.95 USD

Twenty-Five Preludes, Opus 28-45: Piano Book

Name: Twenty-Five Preludes, Opus 28-45: Piano Book
Brand: Alfred Music
SKU: 00-K02019
Price: 8.95 USD
Availability: InStock

By Frédéric Chopin

Item: 00-K02019

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"Newly engraved 2000 Edition with larger notation for easier reading." Chopin's 24 Preludes, Op. 28, are a set of short pieces for piano, one in each of the twenty-four keys, originally published in 1839. The Prelude in C-sharp minor, Op. 45 (sometimes listed as Prelude No. 25), was composed in 1841. Although the term "prelude" is generally used to describe an introductory piece, Chopin's preludes stand as self-contained units, each conveying a specific idea or emotion.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Twenty-Five Preludes, Opus 28-45: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Kalmus Edition

Publisher: Alfred Music

Page Count: 76

ISBN10: 0-7692-9593-2

ISBN13: 978-0-7692-9593-0

UPC: 654979016397

SKU: 00-K02019

More about this title

About the Composer: Frédéric Chopin

Frédéric Chopin (1810, 1849) transformed the piano from a drawing-room accompaniment into a vehicle for intimate, deeply personal expression. His innovations in harmonic language, pedal technique, and keyboard writing established conventions that pianists still navigate today. Chopin's output was small but concentrated; he wrote almost exclusively for solo piano, chamber ensembles, and orchestral works with piano, refusing to dilute his artistic vision with commercial demands.

The 24 Preludes, Op. 28, represent Chopin at the height of his powers. Composed between 1836 and 1838, they function as a complete harmonic and emotional survey of all major and minor keys. Each prelude is a miniature study in a particular technical or conceptual problem, yet each stands as a finished artistic statement. The addition of the Prelude in C-sharp minor, Op. 45, extends this cycle and gives pianists access to works that remain central to the standard repertoire.

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Why we love this

These 25 preludes offer a complete curriculum in Romantic-era piano writing compressed into seventy-six pages. The Kalmus edition's larger notation removes the eye strain that often derails students working through the complete set, making it possible to focus entirely on interpretation and technique. Programming one or two preludes alongside larger works gives recitals immediate gravitas and lets accomplished students demonstrate command of varied textures, from bare arpeggios to densely voiced harmonies.

What to expect

The complete set moves through emotional weather with remarkable swiftness. You encounter stormy brilliance, delicate meditation, folk-like simplicity, and harmonic daring often in the space of a few minutes. Each prelude leaves an impression before moving on, like pages turning in a journal written across a year. The larger notation in this edition makes the act of reading itself less laborious, so interpretation can emerge naturally from the page.

Who it's for

Advanced pianists preparing for competitions, auditions, or serious recital work will find this collection indispensable. Teachers developing students' harmonic awareness and interpretive independence benefit from the range of technical and emotional territory these pieces cover. Pianists exploring Romantic-era aesthetics will use these as a foundation for understanding how Chopin influenced everything that came after.

How to get the most out of it

Treat the pedal as a compositional voice, not a corrective tool. Chopin's pedal markings create specific harmonic clouds; follow them exactly rather than sustaining for comfort or covering technical gaps.
Separate practice sessions by key group. Study two or three preludes in related keys back-to-back to build harmonic awareness and finger independence across the keyboard.
Let silence matter. Many preludes end quietly or leave space in the texture. Resist the urge to fill emptiness; Chopin's use of rest is deliberate.
Approach ornaments with flexibility. Chopin's grace notes and embellishments belong to the voice they decorate, not to a metronomic grid. Listen to how the line breathes.

How to use it

Feature a single prelude as a concert opener to set a reflective tone before a larger classical work. Alternatively, program three to five related preludes consecutively as a standalone set, allowing the cumulative effect of Chopin's harmonic language to unfold for your audience. This edition's readability makes it feasible for students to prepare multiple preludes for solo recital study throughout the academic year.