Twelve String Quartets, Opp. 55, 64 and 71, Complete Cover Image

Twelve String Quartets, Opp. 55, 64 and 71, Complete: String Quartet Book

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Twelve String Quartets, Opp. 55, 64 and 71, Complete Cover Image

Twelve String Quartets, Opp. 55, 64 and 71, Complete: String Quartet Book

Opp. 55,64, 71

By Franz Joseph Haydn

Item: 06-239330

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Description
Complete reproductions of 12 often-performed works: Op. 55, Nos. 1-3 (including 'Razor'); Op. 64, Nos. 1-6 (including 'The Lark' or 'Hornpipe'); Op. 71, Nos. 1-3. Eulenburg edition. 288 pgs.

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Additional Details
Series: Dover Edition
Publisher: Dover Publications
ISBN10: 0-486-23933-0
ISBN13: 978-0-486-23933-0
UPC: 9780486239330
SKU: 06-239330

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732-1809) was the most prolific string quartet composer of the Classical era, effectively inventing the genre as we know it. His 68 quartets span five decades and chart the evolution of chamber music from divertimento-like entertainment pieces to profound, architecturally sophisticated works that rival his symphonies in scope and ambition.

Haydn's quartets defined the standard four-movement structure and demonstrated how four equal voices could engage in witty dialogue, thematic development, and emotional range. His influence on Mozart, Beethoven, and every composer who followed is immeasurable. In the classroom and rehearsal hall, his works remain essential repertoire for understanding Classical form, instrumental writing, and the very foundations of chamber music.

Why we love this

This collection offers unmatched breadth for quartets serious about canonical repertoire. Haydn's three sets here represent three distinct compositional periods, so your ensemble can explore how his language deepened and expanded over time without hunting for scattered editions. The inclusion of 'The Lark' and 'Razor' means your students encounter beloved standards alongside equally rewarding works they might otherwise overlook.

What to expect

These quartets move between wit and depth, formal elegance and genuine emotional searching. The earlier works sparkle with Classical clarity and surprise; the later sets grow inward, with slow movements that achieve a kind of intimate seriousness. Throughout, there is a sense of four intelligent voices thinking together, debating ideas, and occasionally catching each other off guard.

Who it's for

Advanced high school quartets preparing for competition or serious college ensemble study, plus adult chamber musicians who want to own the complete set of three landmark opus groups without acquiring multiple editions. String quartets at the level where harmonic sophistication and ensemble balance matter more than technical display will find this collection demands and rewards careful, sustained rehearsal.

How to get the most out of it

  • Balance the texture constantly by rotating which voice carries the primary melodic material. Haydn rarely locks the melody in the first violin; honor the conversation by keeping secondary voices audible and engaged.
  • Establish a clean harmonic rhythm in the slow movements. Haydn's harmonic language is spare and purposeful here, so precision in ensemble intonation becomes your primary expressive tool.
  • Shape the minuet and trio movements with theatrical clarity. Haydn's wit lives in articulation and dynamic contrast, not in tempo changes; commit to crisp phrasing and listen to how silence functions.
  • In the finale movements, maintain forward momentum without rushing. Haydn's classical allegros can feel static if the harmonic rhythm droops; a steady, energized approach reveals the structural intelligence beneath the surface.

How to use it

Program a single movement from Op. 55 or Op. 71 as a concert opener to establish sophistication and stylistic clarity before a longer work. Alternatively, build an entire recital around these sets, choosing one quartet from each opus to trace Haydn's evolving voice across 30 years of compositional life. Festival competitions often welcome Haydn, so this volume provides multiple contest-ready options without duplication.

Skills your students will build

  • Classical form analysis (sonata, rondo, minuet-and-trio structures)
  • Equal voice texture management and the art of the accompanying line
  • Period-appropriate articulation, phrasing, and ornamentation
  • Harmonic listening and ensemble intonation in sparse textures
  • Stylistic consistency across multiple movements and works
  • Dialogue and counterpoint writing in four-part texture

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