'Twas the Night Before Christmas Cover Image

'Twas the Night Before Christmas: SATB Choral Octavo

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'Twas the Night Before Christmas Cover Image

'Twas the Night Before Christmas: SATB Choral Octavo

Words by Clement Clark Moore, music by Andy Beck

Item: 00-51144

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Description
It's the classic Christmas poem set with swingin' jazz flair! A snazzy bass line and some backbeat finger snaps greet the opening lines, spoken stylistically in rhythm. When the singing begins, it's non-stop fun from the first "out on the lawn" clatter to Santa's final "and to all a good night" send-off. Guaranteed to bring the holiday house down, with or without the full theatrical orchestration.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081581811
SKU: 00-51144

More about this title

About the Composer: Andy Beck

Andy Beck

Andy Beck directs choral publications at Alfred Music and has established himself as one of today's most performed composers of choral music, with over 450 works in print across secular repertoire, sacred selections, and children's musicals. His background spans music education at Ithaca College and Northwest Missouri State University, combined with practical experience as a tenor, musical theatre director, and collaborator with honor choirs and all-state groups throughout the Southeast.

Beyond composing and arranging, Beck maintains an active presence as a guest conductor, clinician, and adjudicator working with music educators and students across the United States and internationally. His work as an Alfred Music studio singer since 1992 and his ongoing involvement with the North Carolina Master Chorale Chamber Choir demonstrate a sustained commitment to the art of choral singing alongside his contributions to choral pedagogy through widely used vocal resources and sight-singing materials.

Why we love this

Beck's arrangement captures the beloved poem's narrative momentum while injecting genuine swing energy that makes the piece immediately engaging for singers and audiences alike. The combination of spoken rhythmic openings, finger snaps, and a propulsive bass line creates a contemporary feel without losing the humor and charm of the original text, giving holiday concerts a performance that stands apart from typical seasonal fare.

What to expect

From the first finger snap and bass groove, the piece radiates joyful irreverence and playfulness. The swinging jazz sensibility makes every phrase land with infectious energy, transforming a centuries-old poem into a modern celebration that feels fresh and alive while honoring the original text.

Who it's for

High school, college, and community choirs looking for a showstopping holiday selection that appeals to singers who enjoy contemporary vocal writing and humor. Directors seeking a piece that works equally well in concert settings and informal holiday gatherings will find this arrangement strikes the right balance of substance and entertainment.

How to get the most out of it

  • Establish the rhythmic feel early in rehearsal by having the ensemble speak the opening lines in strict time with the bass line and snaps before adding melody; this locks in the syncopated groove that defines the piece.
  • Shape the dynamics across the entire arc to highlight the jazz humor; the opening spoken section should have real attitude, and the singing sections benefit from crisp articulation to match the buoyant energy.
  • Lean into the theatrical possibilities without over-staging; small touches like ensemble entrance cues or subtle choreography for the finger snap sections can elevate the performance without distracting from the musical storytelling.
  • Balance the soprano and alto lines carefully in the ensemble passages to maintain clarity through the rhythmic accompaniment and bass line activity.

How to use it

Position this as a closing number or second-to-last selection on a holiday concert to send audiences out energized and smiling. It pairs naturally with more traditional seasonal music earlier in the program, offering contrast that highlights both the novelty arrangement and the classic story it retells.

Skills your students will build

  • Rhythmic precision in jazz-influenced syncopation and swing articulation
  • Stylized delivery of spoken text in rhythm with instrumental accompaniment
  • Ensemble coordination and ensemble blend in contemporary choral writing
  • Interpretation of humorous text with musical nuance and character

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