'Twas the Night Before Christmas Cover Image

'Twas the Night Before Christmas: Choral SoundTrax CD

$49.99 USD
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'Twas the Night Before Christmas Cover Image

'Twas the Night Before Christmas: Choral SoundTrax CD

A Christmas Mini-Musical for Unison and 2-Part Voices

By Sally K. Albrecht and Jay Althouse

Grade: K--6

Item: 00-23553

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Description
Make this retelling of the timeless Christmas classic a holiday tradition at your school. Six festive songs are cleverly interspersed throughout the original Clement Clarke Moore poem, creating a brief theatrical performance that is sure to "wow" your holiday audience. From the cheery "Christmas Is Coming," to the rockin' "Reindeer on the Roof," and Tchaikovsky's traditional "Dance of the Sugar Plum Fairies," 'Twas the Night Before Christmas is filled with memorable music and rhyming verse for a sleigh-full of young performers. The Teacher's Handbook includes reproducible Student Pages and Staging Notes.

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Additional Details
Publisher: Alfred Music
ISBN10: 0-7390-3681-5
ISBN13: 978-0-7390-3681-5
UPC: 038081238760
SKU: 00-23553

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has spent more than thirty years shaping choral music for young singers, first as Director of School Choral and Elementary Publications at major educational publishers, then as a prolific composer in her own right. Her output is staggering: over 600 published choral works and 75 full-length musicals, complemented by conducting credits at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. Since 1987, she has received annual ASCAP Special Music Awards, recognition of her consistent creative output and influence on school music programs nationwide.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). She has taught at Oakland University, Jersey City State College, and Meredith College. Her collaborative partnership with composer and arranger Jay Althouse, her husband, has produced much of her theatrical work. In recent years, she has received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees.

Why we love this

This production seamlessly weaves six original songs into the actual text of Moore's poem, which means your students are performing literature and music together rather than watching one interrupt the other. The instrumentation is approachable for elementary ensembles, the six pieces vary enough in style and energy that every singer finds something to sink their teeth into, and the accompanying theatrical framework gives even the smallest roles meaningful stage time.

What to expect

A spirited Christmas celebration that honors the beloved poem while injecting contemporary musical energy. The mix of styles—from the bright optimism of 'Christmas Is Coming' to the whimsical charm of Tchaikovsky's familiar 'Dance of the Sugar Plum Fairies'—keeps performers and audiences engaged and smiling from start to finish.

Who it's for

Elementary school choirs and mixed-age ensembles in grades K-6, as well as classroom teachers and music specialists looking for a complete, manageable holiday program that requires minimal staging and technical support. This works equally well for single-class performances or all-school assemblies where students at varying skill levels participate together.

How to get the most out of it

  • Use the recorded accompaniment to establish consistent tempos and style across all six songs, especially important when multiple classes or grade levels are performing together.
  • Experiment with the staging notes provided in the handbook before rehearsals begin; knowing sightlines and entrance cues early prevents last-minute blocking confusion.
  • Balance spoken recitation of the poem with sung passages by varying microphone placement and microphone technique; the narration should feel like storytelling, not a separate musical event.
  • Build in extra rehearsal time for transitions between sung and spoken sections; these moments often expose timing issues that smooth out with repetition.

How to use it

This is an ideal solution for winter concerts when you want a full performance rather than a single song or medley, and it works beautifully as either a standalone 20-25 minute presentation or as the centerpiece of a longer holiday program. It also serves well as a spring or fall family event if your school celebrates the season outside the traditional December window.

Skills your students will build

  • Sight-reading mixed meters and rhythmic patterns across six contrasting melodic styles
  • Synchronizing sung and spoken text with consistent phrasing and timing
  • Basic theatrical awareness (stage positioning, blocking, audience connection)
  • Part independence when multiple melody lines and harmony voices occur simultaneously
  • Breath control and legit singing technique through sustained phrases in songs like 'Dance of the Sugar Plum Fairies'

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