Tusk (arr. Matt Conaway): Marching Band Conductor Score & Parts

This arrangement captures something rare: a rock hit that already thinks like a marching band piece. The original recording's collaboration with USC's ensemble wasn't an afterthought but integral to the song's identity, so this adaptation honors the source material while giving your band a contemporary crowd-pleaser with genuine edge. At grades 3 to 4, it sits comfortably within reach while maintaining musical sophistication.

Propulsive and modern, with a pounding rhythmic core that drives every phrase forward. The arrangement balances sharp brass declarations with supporting harmonic textures, creating a sound that feels both polished and energetic, exactly as it should.

Marching bands ready for a contemporary sound that actually works on the field. Your students will recognize Tusk instantly, which builds investment immediately. This is the rare rock arrangement that elevates both your program's musical credibility and your audience's engagement.

• Keep the bass line locked and propulsive. It's the heartbeat of the arrangement, so your low brass and battery need rhythmic cohesion from the first rehearsal.
• Emphasize the percussion breaks as textural highlights rather than mere transitions. These moments define the song's character, so let them breathe slightly.
• Balance the brass riffs against the harmonic foundation. Conaway's writing layers melody and support, so clarity matters more than volume.

Place this early in your show to establish energy and mood. Its contemporary style pairs well with classic march repertoire, creating an engaging contrast that keeps audiences leaning in. It also works wonderfully as a high-energy closer or a stand-alone exhibition piece at pep rallies and informal events.

• Ensemble blend within rock idiom
• Consistent groove maintenance across longer phrases
• Executing rapid articulation in brass soli
• Balancing unison passages against harmonic accompaniment
• Reading and executing syncopated rhythmic figures