Turn The Beat Around (arr. Deke Sharon): SSAA Choral Octavo

Deke Sharon's arrangement captures the infectious energy of this disco classic while tailoring it specifically for women's voices. The a cappella voicing gives singers the freedom to lock into the rhythm without instrumental constraints, making it an ideal choice for groups looking to showcase tight ensemble work and rhythmic sophistication.

Irresistible momentum propels this arrangement forward. The disco foundation pulses beneath layered vocal textures, creating a party atmosphere that feels both celebratory and meticulously constructed.

This octavo works for choirs seeking accessible contemporary repertoire that challenges ensemble precision without demanding virtuosic soloists. Women's choirs at intermediate to advanced levels will find ample opportunity to develop tight rhythmic control and contemporary arranging vocabulary.

• Keep the pulse locked and driving throughout; this arrangement thrives when the rhythm section (bass line and percussion syllables) stays metronomic rather than swinging or pushing.
• Layer the parts gradually in rehearsal so each voice understands its role in the overall groove before adding complexity with dynamics or articulation.
• Use the contrast between the verses and chorus as a structural anchor; resist the temptation to sing everything at full volume, as the build toward the peak moments will land harder with dynamic restraint early on.
• Work the text and rhythm together as a single element; the syllables and accents in Sharon's arrangement are designed to enhance the groove, not compete with it.

Program this as a high-energy contrast in a concert that balances classical and contemporary work, or use it to open a second half and energize an audience. The song's accessibility makes it ideal for showcasing your ensemble's contemporary chops without alienating listeners unfamiliar with modern choral writing.

• Rhythmic precision in a cappella settings
• Layering and balancing multiple rhythmic lines simultaneously
• Contemporary articulation and phrasing
• Ensemble blend across SSA/SSAA voicings
• Vocal percussion techniques (if included in the arrangement)