Turkey in the Straw: Alto, Tenor & Baritone Saxophones (AATB) Score & Parts

Square dance energy without pretension. The syncopated lines bounce against each other, creating a rollicking momentum that feels playful and animated. There's an unpretentious joy to it, the kind of tune that makes players smile as they nail the rhythmic figures.

Intermediate saxophone quartets ready to move beyond chorale-style arrangements into music with real rhythmic character and swing. This works equally well for community band saxophone sections or school jazz ensembles looking for accessible repertoire with personality.

• Keep the articulation crisp and light throughout. Short, detached tonguing on the syncopated figures will let the rhythm breathe and prevent the tune from dragging.
• Balance the alto and tenor voices in the opening so neither one dominates. They're equal partners in setting up the groove.
• Give the baritone solo room to shine. Mark your parts clearly so the other saxes know when to pull back and support rather than compete.
• Lean into the rhythmic energy. This is dance music, not a ballad. The tempo should feel lively enough that players want to move with it.

Program this as a concert opener or as a contrast piece alongside more serious repertoire. It works well in folk music programs or Americana-themed concerts, and it's short enough to pair with a companion piece for a complete set.

• Crisp articulation and control of short, detached tonguing
• Reading and executing syncopated rhythms in an ensemble context
• Balancing voice independence while maintaining rhythmic cohesion
• Stylistic interpretation of traditional American folk material
• Building ensemble entrances and cutoffs with precision