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Turbocharged: Early Intermediate Piano Sheet

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Turbocharged: Early Intermediate Piano Sheet

By Christopher Goldston

Item: 98-W9351

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Description
Written in the key of C, this early intermediate piece opens with a catchy syncopated pattern that will energize you right from the start! Clever contrasting patterns with varied articulations present a fun challenge for students, and a fun visual for the audience as well. A great encore for recitals!

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Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
UPC: 674398225699
SKU: 98-W9351

More about this title

About the Composer: Christopher Goldston

Christopher Goldston

Christopher Goldston earned his Master of Music in piano performance and pedagogy from Northwestern University and his Bachelor of Music degree in piano performance from the University of North Carolina-Greensboro. He has held faculty positions at Columbia College Chicago, Roosevelt University, and Sherwood Conservatory of Music, while also maintaining a private teaching studio in Chicago and offering virtual instruction.

Goldston's compositions have earned significant recognition, including the 1991 National Federation of Music Clubs Lynn Freeman Olson Composition Award for his first work, Night Train. Since 2010, he has served as national coordinator for the MTNA Composition Competition. His leadership in music education extends to his roles as past president of both the Illinois State Music Teachers Association and the Chicago Area Music Teachers Association. In 2020, he was named an MTNA Foundation Fellow and later served as MTNA National Secretary-Treasurer. The Music Teachers National Association commissioned his chamber work Four Virtues for oboe, violin, and piano, which premiered at the 2022 MTNA National Conference.

Why we love this

Goldston understands what makes students want to play a piece again. The syncopated opening grabs attention immediately, and the rhythmic contrast throughout keeps both player and listener engaged without overwhelming early intermediate students. The articulation markings aren't just musical ornamentation; they're a teaching tool that trains precision and control.

What to expect

Turbocharged opens with immediate character and propulsion. The syncopated rhythms feel modern and playful, creating a sense of momentum that keeps the energy alive throughout. Varied articulations and contrasting patterns prevent the piece from settling into repetition, instead building a performance that feels fresh and intentional.

Who it's for

Early intermediate piano students who can navigate steady rhythm patterns and understand basic articulation but are ready to explore more sophisticated textural ideas. This piece works especially well for students who need confidence in performance and enjoy contemporary styles that don't require advanced hand independence.

How to get the most out of it

  • Establish the syncopated pattern cleanly in measure one. It's the piece's identity, so anchor it rhythmically before adding any expression.
  • Let the articulation changes do the work. Shift from legato to staccato sections with confidence rather than adding unnecessary tempo variations.
  • Practice the hand coordination passages separately if the left hand feels clumsy; Goldston's part writing rewards students who isolate and master one hand at a time before combining them.
  • This encore shines when played with controlled energy. Resist the urge to rush; the syncopation creates momentum on its own.

How to use it

Save this for your recital finale or as a genuinely engaging encore that audiences enjoy as much as your students do. It works equally well in a student showcase where you want to demonstrate technical growth without asking early intermediate players to tackle something serious or introspective. The contemporary flavor also pairs nicely when you're curating a program with varied styles and want something current without being edgy.

Skills your students will build

  • Executing syncopated rhythms accurately and musically
  • Coordinating varied articulations (legato, staccato, mixed) in both hands
  • Interpreting and performing rhythmic contrast within a consistent tempo
  • Building performance confidence through approachable yet engaging material
  • Reading and responding to specific articulation markings

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