Tuba Christmas: Concert Band Conductor Score & Parts
Arranged by Robert W. Smith
Grade: 3
Item: 98-PK-RWS2027
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Tuba Christmas: Score | $10.00 | |
| Tuba Christmas: 1st Flute | $3.99 | |
| Tuba Christmas: Oboe | $3.99 | |
| Tuba Christmas: 1st B-flat Clarinet | $3.99 | |
| Tuba Christmas: 2nd B-flat Clarinet | $3.99 | |
| Tuba Christmas: B-flat Bass Clarinet | $3.99 | |
| Tuba Christmas: Bassoon | $3.99 | |
| Tuba Christmas: 1st E-flat Alto Saxophone | $3.99 | |
| Tuba Christmas: B-flat Tenor Saxophone | $3.99 | |
| Tuba Christmas: E-flat Baritone Saxophone | $3.99 | |
| Tuba Christmas: 1st B-flat Trumpet | $3.99 | |
| Tuba Christmas: 2nd B-flat Trumpet | $3.99 | |
| Tuba Christmas: 1st F Horn | $3.99 | |
| Tuba Christmas: 1st Trombone | $3.99 | |
| Tuba Christmas: 2nd Trombone | $3.99 | |
| Tuba Christmas: Baritone B.C. | $3.99 | |
| Tuba Christmas: Baritone T.C. | $3.99 | |
| Tuba Christmas: Tuba | $3.99 | |
| Tuba Christmas: 1st Mallet Percussion | $3.99 | |
| Tuba Christmas: Timpani | $3.99 | |
| Tuba Christmas: 1st Percussion | $3.99 | |
| Tuba Christmas: 2nd Percussion | $3.99 |
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Description
Original Item#: RWS-2027-00
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More about this title
About the Arranger: Robert W. Smith

Robert W. Smith stands among America's most performed composers and arrangers for concert band and orchestra, with over 400 publications distributed through Alfred Music. He studied music education at Troy State University and earned a master's degree from the University of Miami, training that shaped his gift for writing idiomatically across all ensemble levels.
Smith's reach extends far beyond the concert hall. His symphonies, including The Divine Comedy and The Odyssey, have traveled internationally to audiences across Europe, Asia, and Australia. His works have appeared in television broadcasts, Olympic ceremonies, the Macy's Thanksgiving Day Parade, and opening day at Dodger Stadium. As a guest conductor and clinician, he has worked with ensembles across the United States, Canada, Japan, Australia, and Europe, bringing his perspective directly to developing musicians.
Why we love this
Smith gives the low brass the spotlight they deserve without overwhelming less experienced players. The creative melodies and well-balanced orchestration mean your tuba and euphonium players get genuinely rewarding material while the rest of the ensemble provides effective support, making this ideal for Grade 3 programs that want holiday programming with real substance.
What to expect
Warm and generous. The creative settings honor familiar holiday melodies while the lower brass carries the lyrical weight, giving tuba and euphonium players moments that feel expansive and leading rather than supporting. The arrangement closes with a gesture of goodwill that lets the entire ensemble share the Christmas greeting.
Who it's for
Directors building Grade 3 holiday concert programs who want to honor their tuba and euphonium sections with the melodic and harmonic spotlight. Programs balancing accessibility with musical substance will find this arrangement meets both needs effectively.
How to get the most out of it
- Shape the phrasing of the classic melodies so they sing even in the lower registers; think ensemble vocal line rather than accompaniment figure.
- Balance the tuba and euphonium soloists against the rest of the band carefully in rehearsal, as their prominence means intonation and tone clarity are essential.
- The farewell coda built on 'We Wish You A Merry Christmas' deserves a warm, unified approach; bring the entire band together rather than letting the tuba section pull away.
How to use it
Program this as a mid-concert feature that shifts focus to an often-underrepresented section, rewarding your bass clef players while keeping the holiday concert feeling fresh and varied. It works well alongside lighter concert band fare and provides a natural closing gesture if placed near the end of your program.
Skills your students will build
- Playing lyrical, sustained passages in the lower brass registers
- Balancing section prominence within an ensemble context
- Reading creative harmonic arrangements of familiar melodies
- Ensemble tuning and blend when featured in a solo voice