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Trumpet Voluntary: Brass Quintet Score & Parts

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Trumpet Voluntary Cover Image

Trumpet Voluntary: Brass Quintet Score & Parts

Trumpet Feature

By John Bennett / arr. David Marlatt

Level: Medium

Item: 81-BQ965

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Description
Originally a popular organ solo, this voluntary is a great addition to the standard quintet repertoire. There is a short chorale prelude played by the ensemble without the solo trumpet then the soloist enters playing a very tuneful and grand piece. The work can be performed without the prelude or the prelude can be played as a piece by itself. None of the parts are too difficult but all have interesting parts with some written ornaments by the arranger to make it all the more fun. The solo part is playable by a good high school player or by a university/professional on E-flat trumpet. This is a great wedding piece that is sure to delight and will take advantage of the acoustics of a church.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-086-4
ISBN13: 978-1-55473-086-5
UPC: 685462003419
SKU: 81-BQ965
Instrumentation: Brass Quintet

More about this title

Why we love this

David Marlatt's arrangement transforms a beloved organ work into genuinely idiomatic writing for brass quintet, giving each player rewarding material rather than filler parts. The flexibility to perform the chorale prelude separately or omit it entirely makes this piece unusually practical for wedding gigs and festival programming. It's the rare arrangement that sits comfortably for both advanced high school players and seasoned professionals.

What to expect

Stately and reverent in the chorale prelude, then luminous and triumphant as the trumpet takes the theme. There's a clarity and grace to the harmonic language that feels both historic and immediately appealing, with moments of sparkle from the written ornaments that keep the ensemble engaged throughout.

Who it's for

High school brass quintet members looking for substantial repertoire that develops musicianship without extreme technical demands, and university or professional quintets seeking reliable, attractive ceremonial music. This works equally well for festival competition and worship settings.

How to get the most out of it

  • Balance the chorale prelude carefully so the upper voices in the quintet shine without overshadowing the harmonic foundation; this section sets the stage for the solo trumpet's entrance.
  • Shape the ornaments in all parts as integral to the melodic line, not as decorative add-ons. Marlatt wrote them with purpose.
  • Let the solo trumpet breathe generously in the grand section. This is display music meant to soar, so give the soloist space to phrase with dignity.
  • If performing in a church, arrive early to test how the acoustics favor the quintet balance. Adjust dynamics accordingly to let the reverb work for you rather than against you.

How to use it

Program this as a ceremonial opener for a brass quintet concert or chamber recital, or pair it with other Baroque and Classical chamber works for a cohesive first set. It's equally at home as a processional or recessional in a wedding or concert service, where its modest length and accessible beauty will resonate with any audience.

Skills your students will build

  • Balancing ensemble sound across five different instruments
  • Playing written ornaments with stylistic awareness
  • Accompanying and supporting a solo line
  • Articulation and phrasing in Baroque-era harmonic language
  • Musical communication within a chamber ensemble without a conductor

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