Trumpet Nocturne: A Ballad for Trumpet and Band Cover Image

Trumpet Nocturne: A Ballad for Trumpet and Band: Concert Band, Solo Brass with Ensemble, Full Score

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Trumpet Nocturne: A Ballad for Trumpet and Band Cover Image

Trumpet Nocturne: A Ballad for Trumpet and Band: Concert Band, Solo Brass with Ensemble, Full Score

By Richard Maltby

Grade: 4

Item: 36-B384101

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Description
Born just outside of Chicago, Richard E. Maltby Sr. served as a trumpeter, conductor, arranger, and bandleader over his long career, which included working with or arranging for such artists as Paul Whiteman, Benny Goodman, Peggy Lee, Sarah Vaughan, Johnnie Ray, Vic Damone, Ethel Merman, and Lawrence Welk. His TRUMPET NOCTURNE: A BALLAD FOR TRUMPET is a beautiful, lyrical work.

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Additional Details
Series: Master Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270822-8
ISBN13: 979-8-89-270822-7
UPC: 659859325682
SKU: 36-B384101
Instrumentation: Trumpet Solo and Concert Band

More about this title

About the Composer: Richard Maltby

Richard Maltby built his career as a trumpeter, conductor, arranger, and bandleader during the swing era and beyond. His work encompassed both commercial and artistic spheres: he arranged for major figures including Paul Whiteman and Benny Goodman, conducted ensembles, and led his own groups while based in the Chicago area.

Maltby's background as a trumpeter gave him practical insight into the instrument's capabilities and lyrical potential. His experience across jazz, popular music, and concert settings shaped his ability to write idiomatically for brass while crafting ensemble textures that support rather than overwhelm a solo voice.

Why we love this

This work taps into a rich ballad tradition without relying on orchestral clichés. The full score allows the trumpet soloist to breathe within a concert band context that listens rather than competes, making it an excellent vehicle for players who understand the difference between technical display and musical expression.

What to expect

Intimate and reflective, with the trumpet voice floating above a warm, attentive band backdrop. The nocturne character brings a twilight quality to the concert stage; listeners experience the soloist as part of a unified sound rather than as an outsider commanding attention.

Who it's for

This score works well for concert bands with a strong trumpet section and soloist who can sustain a musical line without resorting to technical fireworks. It fits programs where you need a solo feature that showcases musicianship and ensemble refinement rather than virtuosity.

How to get the most out of it

  • Shape the solo line with subtle dynamic swells rather than dramatic gestures; the band's support means the trumpet doesn't need to force projection.
  • Balance the ensemble so that inner voices become visible during moments when the trumpet steps back; this adds harmonic warmth and prevents the accompaniment from feeling generic.
  • Work out breathing points in advance with the trumpet soloist so the band can anticipate phrase endings and respond with light, conversational dynamics.
  • Let the ballad tempo breathe naturally; mechanical metronomic playing undermines the nocturne's lyrical intent.

How to use it

Program this as a centerpiece in a concert section devoted to lyrical works, or use it to bridge between more energetic pieces and provide a moment of repose. Its Grade 4 level makes it accessible for high school and community bands working toward refined musicianship without extreme technical demands.

Skills your students will build

  • Sustained legato playing and long-line phrasing on trumpet
  • Listening and dynamic balancing between solo and ensemble
  • Breath management in a slow, lyrical context
  • Ensemble accompaniment technique for non-melody instruments
  • Interpretation of ballad form and nocturne character

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