Trumpet March and Ayre: Concert Band Conductor Score & Parts

$65.00 USD

Trumpet March and Ayre: Concert Band Conductor Score & Parts

Name: Trumpet March and Ayre: Concert Band Conductor Score & Parts
Brand: Alfred Music
SKU: 00-26753
Price: 65.00 USD
Availability: InStock

By Jeremiah Clarke / arr. James D. Ployhar

Grade: 3 (Medium Easy)

Item: 00-26753

Need it now?

Buy Digital Version

$65.00

Shipped

One moment…

Jeremiah Clark was a composer of Baroque music and his Trumpet March and Ayre is incredibly distinctive. Scored for contemporary concert band by James Ployhar, this adaptation is slated in traditional A-B-A form. The flowing middle section features the woodwinds surrounded by the regal march theme. A stately work that would serve as an excellent introduction to the Baroque style. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Trumpet March and Ayre: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Open in the Player

Jump straight in and assign it today.

Start Your Free Trial

Open this title and explore the full library in minutes.

No sample videos found.

Series: Belwin Concert Band

Publisher: Alfred Music

Page Count: 59

UPC: 038081289625

SKU: 00-26753

More about this title

About the Composer: Jeremiah Clarke

Jeremiah Clarke (1674-1707) was an English Baroque composer and organist whose career flourished during the reign of Queen Anne. Though his life was cut short at just 33 years old, he left behind a significant body of sacred and instrumental music that exemplifies the English Baroque style. His works are marked by clear melodic lines, harmonic sophistication, and an ability to balance formal structure with expressive depth.

Clark's instrumental music, particularly his marches and dance movements, were designed for court performance and civic occasions. His compositions remained largely unpublished until well after his death, making modern concert band arrangements like this one essential for introducing his music to contemporary student musicians and audiences.

Show moreShow less

Why we love this

Ployhar's arrangement captures the ceremonial grandeur of Clarke's original conception while making it genuinely accessible to Grade 3 ensembles. The A-B-A structure is transparent and easy to follow, yet the piece never feels simplified; students encounter authentic Baroque counterpoint and harmonic language through repertoire they can actually perform well. This works beautifully as both a concert opener and a teaching tool for style and form.

What to expect

Stately and ceremonial, with a clear sense of pageantry in the march sections. The middle ayre softens into a flowing, lyrical character that breathes with melodic grace before the march returns with renewed authority. There's a courtly elegance throughout that comes from genuine Baroque craftsmanship.

Who it's for

Concert band directors looking to introduce Baroque style, form, and orchestration to Grade 3 students without sacrificing musical substance. This work is equally valuable for festival programming, where it provides a stylistically different offering that still showcases solid musicianship.

How to get the most out of it

Conduct the march sections with clear, decisive gestures to establish the formal, processional character. Let the pulse anchor the ensemble's sense of civility.
Balance the woodwind feature in the middle section carefully so the ayre section sings without drowning out accompaniment voices. This showcases ensemble transparency.
Articulate the march theme consistently across all voices to reinforce its regal character and ensure rhythmic cohesion during the return.
Pay attention to dynamics as markers of form. The shift into the B section should feel like a genuine tonal and textural change, not just a tempo adjustment.

How to use it

Open a concert with this piece to establish an elevated, formal tone and orient the audience toward classical repertoire. It pairs well with other Baroque or Renaissance works, or can anchor a "masterworks" section of a program. The relatively short duration (59 pages of parts) makes it ideal for festival or contest entries where variety and contrast matter.