Trumpet Concerto: Brass Quintet Score & Parts

Marlatt's arrangement transforms a Baroque masterwork into a vehicle for showcasing both an exceptional trumpet soloist and the ensemble's collective musicianship. The transposition to C concert removes the extreme technical demands of the original piccolo trumpet part while maintaining its character and brilliance, making this accessible to strong players without diluting the musical content.

Elegant and ornate, with the trumpet soloist soaring above warm harmonic support from ensemble colleagues. The Baroque melodic language flows with both grandeur and intimacy, creating moments of lyrical beauty alongside passages that demand virtuosity and confident projection.

Advanced brass quintets preparing for festivals, competitions, or concert programs that showcase a featured soloist. This work rewards ensembles with a strong first trumpet and mature musicianship in the supporting voices, as well as directors seeking demanding Baroque repertoire that balances technical challenge with musicianship development.

• Establish clear ensemble balance early in rehearsals. The supporting trumpet voices carry important harmonic material that can easily overshadow the soloist if not carefully controlled.
• Shape the solo line with Baroque phrasing conventions. Approach cadences with slight broadening and employ judicious ornamentation within the style, letting the soloist's musicality guide interpretive choices.
• Treat rhythmic precision as foundational. The interplay between solo and ensemble sections demands tight ensemble response; lock the rhythm section early and build from there.
• Craft distinctive articulation characters for the trumpet voices versus the upper woodwind-inspired material they inherit from the oboe parts.

Feature this on a concert celebrating Baroque instrumental music or as a contrasting program piece that highlights ensemble versatility. The work also suits festival competitions where adjudicators value both solo artistry and balanced ensemble playing.

• Baroque ornamentation and phrasing conventions appropriate to trumpet literature
• Balancing solo prominence with supportive ensemble playing
• Transposition awareness and adaptation to concert pitch
• Collaborative musicianship under featured soloist contexts
• Baroque harmonic language and voice leading