True Love (from Frozen: the Broadway Musical) (Arr. Mac Huff) Sheet Music Preview

True Love (from Frozen: the Broadway Musical) (Arr. Mac Huff): SAB Choral Octavo

As performed by Kristen Anderson-Lopez Robert Lopez / Arranged by Mac Huff

Item: 35-DS00421872

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00421872

More about this title

About the Artist: Kristen Anderson-Lopez Robert Lopez

Kristen Anderson-Lopez and Robert Lopez are the songwriting team behind Frozen and Frozen II, bringing contemporary musicality and emotional depth to Disney's most celebrated recent films. Their work on the Broadway adaptation of Frozen demonstrates their gift for crafting songs that resonate across age groups while maintaining theatrical sophistication. Both composers understand how to write for ensemble voices, balancing accessibility with genuine musical substance.

Why we love this

Mac Huff's arrangement captures the tenderness of this duet while making it singable for three-part mixed choirs. The SAB voicing opens the song to a broader range of singers without sacrificing the emotional arc that makes "True Love" so effective in the show. Directors appreciate that this is a legitimate piece of repertoire, not just a novelty number.

What to expect

"True Love" settles into warm, conversational harmony from the first phrase. The arrangement wraps around the melody like a hug, creating intimate space even when sung by full choirs. There's sincerity here without sentimentality, and a simplicity that feels earned rather than easy.

Who it's for

Mixed choirs with secure readers in all three parts who want a contemporary piece with theatrical charm and genuine emotional content. This works for middle school through adult ensembles looking to add Broadway repertoire that feels current without being frivolous.

How to get the most out of it

  • Sustain the legit legit vowels through the longer lines. The song's power comes from vocal weight and consistency, not from pushing the dynamic.
  • Balance alto and soprano lines carefully in the first section so neither overshadows the other. The conversation quality of the arrangement depends on clear voices in counterpoint.
  • Let the accompaniment breathe with the singers. Huff's arrangement respects the lyrical phrasing, so avoid driving the tempo. The song should feel unhurried.
  • Shape the final phrase with slight rubato to honor the emotional resolve of the text. A touch of flexibility here feels organic rather than indulgent.

How to use it

Slot this into winter or spring concerts where you want a lighter moment that's still musically substantive. It pairs well with other contemporary musical theater selections, or it can stand alone as a breather between heavier classical or pop arrangements. The piece also works in cabaret or pops concert contexts.

Skills your students will build

  • Sustaining legit vocal production in contemporary musical theater idiom
  • Balancing three independent lines with equal importance
  • Interpreting lyrical phrasing and emotional intent in modern songwriting
  • Reading SAB voicing and ensemble blend across mixed voices

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