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Trionometry: Woodwind Trio

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Trionometry: Woodwind Trio

By Richard Festinger

Level: Intermediate

Item: 98-EP67819

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Description
Trionometry, for flute, clarinet doubling on bass clarinet, and piano, was commissioned by the University of California in Davis, where it received its premiere performance in April of 1996. It is a virtuoso work in three movements linked together by a short ritornello. I had been fascinated by the unique sonorities that are produced by this combination of instruments, particularly when the flute and bass clarinet are widely separated in register. The vivacious energy of Trionometry's outer movements has its roots in my deep love of jazz. The second movement achieves, by contrast, an almost meditative serenity.

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Additional Details
Series: Edition Peters
Publisher: EDITION PETERS
ISBN10: 0-30074-563-3
ISBN13: 979-0-30074-563-3
UPC: 9790300745633
SKU: 98-EP67819

More about this title

About the Composer: Richard Festinger

Richard Festinger is an American composer whose chamber works explore the expressive potential of unconventional instrumental combinations. His compositional voice draws deeply from jazz idioms, which emerges distinctly in pieces like Trionometry, where rhythmic vitality and timbral innovation take precedence over traditional structural constraints.

Why we love this

Festinger's ear for instrumental color shines in the register contrasts between flute and bass clarinet, creating sonorities that feel genuinely fresh within the woodwind trio literature. The three-movement design gives you real programming flexibility, whether you need a showpiece for an advanced chamber group or a standout moment in a woodwind recital.

What to expect

The outer movements pulse with the improvisational vigor of jazz reimagined through a classical chamber lens, while the middle movement offers introspective contrast through spacious writing and subtle sonorities. The work's architecture around the connecting ritornello creates a sense of return and coherence, bookending the musical journey.

Who it's for

Advanced high school or undergraduate woodwind players seeking a virtuosic chamber work that demands technical facility and musical maturity. Flutists and clarinetists will find substantial solo material, while pianists need strong contemporary music reading skills and rhythmic independence.

How to get the most out of it

  • Balance the outer movements' rhythmic drive with precision ensemble playing; the jazz-influenced energy relies on tight coordination between the three parts rather than pushing tempo.
  • In the second movement, allow the meditative quality to breathe by resisting the urge to fill silence; let the sparse texture do its work.
  • Clarinet players should give themselves adequate time to transition between soprano and bass clarinet, ensuring both instruments are warmed up and responsive.

How to use it

Feature this as a concerto-style work on a chamber recital, where its three-movement structure and varied character give audiences a complete experience. The virtuosic demands and distinctive instrumentation make it a strong anchor piece for showcasing advanced woodwind students.

Skills your students will build

  • Register control and sonority awareness across extreme pitch ranges (particularly flute and bass clarinet separation)
  • Jazz-inflected rhythmic interpretation and ensemble articulation
  • Contemporary music reading and balance in non-traditional instrumental combinations
  • Ensemble precision across varied tempi and movement characters
  • Clarinet switching technique between soprano and bass clarinet

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