Trio for Three Flutes GeWV 328 Cover Image

Trio for Three Flutes GeWV 328: Woodwind Ensemble Conductor Score & Parts

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Trio for Three Flutes GeWV 328 Cover Image

Trio for Three Flutes GeWV 328: Woodwind Ensemble Conductor Score & Parts

By Harald Genzmer

Item: 98-EP8740

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-01-407086-3
ISBN13: 979-0-01-407086-1
SKU: 98-EP8740

More about this title

About the Composer: Harald Genzmer

Harald Genzmer (1909-2007) was a German composer and pedagogue whose catalog spans orchestral works, chamber music, and educational compositions for young musicians. His writing for winds shows a keen understanding of instrumental color and technical possibility, grounded in a lyrical sensibility that appeals equally to student ensembles and professional performers.

Why we love this

This trio sits comfortably in the sweet spot between accessible and genuinely rewarding to play. Genzmer's flute writing is idiomatic and respectful of the instrument without demanding virtuosity, making it an excellent choice for intermediate ensembles that want substantive literature beyond miniatures or arrangements.

What to expect

The trio combines lyrical warmth with transparent textures typical of early-to-mid 20th-century German writing. The three flutes blend and interweave with clarity, creating moments of brightness and intimacy without melodrama.

Who it's for

Flute trios in junior high and high school wind programs, adult community ensembles, and studio teachers looking for chamber repertoire that engages all three players equally. This work is also suitable for college wind students exploring 20th-century chamber literature in a manageable format.

How to get the most out of it

  • Balance the three flute lines by identifying which voice carries the primary melodic material in each section; the inner parts should support without disappearing.
  • Pay attention to dynamics as a collaborative tool rather than individual instruction; crescendos and diminuendos work best when all three players move together as a unified ensemble.
  • Use the score to hear the harmonic and textural logic before rehearsal; understanding how Genzmer voices each idea will inform phrasing decisions.
  • Allow breath time in places where the composer's phrase endings might feel tight; flutists need realistic air management, and brief releases can sharpen phrase articulation.

How to use it

Program this alongside other European chamber works from the same era to build a concert segment that showcases wind tone and ensemble cohesion. It works particularly well as a concert opener or as part of a chamber music recital that pairs flute trios with other small ensembles.

Skills your students will build

  • Balancing three independent melodic lines in close range
  • Responding to ensemble partners' phrasing and dynamic choices
  • Reading and interpreting 20th-century harmonic language
  • Sustaining tone quality and intonation across a full piece without keyboard support

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