Trilogue (Scherzo for Solo Double Bass and Two Mallet Percussion) Cover Image

Trilogue (Scherzo for Solo Double Bass and Two Mallet Percussion): Solo Double Bass

$14.00 USD

Trilogue (Scherzo for Solo Double Bass and Two Mallet Percussion): Solo Double Bass

Name: Trilogue (Scherzo for Solo Double Bass and Two Mallet Percussion): Solo Double Bass
Brand: Alfred Music
SKU: 36-A453902
Price: 14.00 USD
Availability: InStock

By Alfred Reed

Item: 36-A453902

$14.00

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This scherzo composed by Alfred for solo Double Bass, Vibraphone, and Marimba was commissioned by the Frederick Zimmermann Memorial Fund for Lucas Drew, Principal Double Bass of the Miami Philharmonic Orchestra, and Professor of Double Bass at the School of Music of the University of Miami. The work is conceived so as to be playable both by the traditional acoustic Bass and the Electric Bass. The title implies all three instruments sharing in the musical "dialogue" on an equal basis, and since there are three participants rather than two, the derivation of the title is obvious.

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Series: Kalmus Chamber Library

Publisher: Keiser Productions, Inc.

ISBN10: 8-88-852596-3

ISBN13: 979-8-88-852596-8

UPC: 676737859404

SKU: 36-A453902

Instrumentation: Double Bass, Vibraphone, Marimba

More about this title

About the Composer: Alfred Reed

Alfred Reed (1921-2005) was an American composer and conductor whose prolific output spanned orchestral, wind band, and chamber works. His music combined modernist sensibilities with accessible, idiomatic writing for the instruments he knew intimately through his work as a conductor and educator. Reed's chamber compositions often feature innovative instrumental combinations and technical demands that showcase performers without sacrificing musical coherence.

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Why we love this

Reed writes for the double bass as a virtuosic solo voice rather than a supporting harmonic instrument, and the addition of vibraphone and marimba creates a genuinely balanced three-way conversation. The work was commissioned for a principal player at a major orchestra, which means the technical and musical demands are substantial but deeply rewarding to master. Programming this signals to your audience that the double bass belongs front and center.

What to expect

Trilogue captures the spirited energy of a scherzo with wit and charm. The three instruments dart in and out of focus, trading musical phrases with elegant precision while maintaining a sense of playful dialogue throughout.

Who it's for

This work suits advanced double bass students and professionals ready to command the stage as soloists. It also works for chamber ensembles where a principal bassist wants a vehicle that celebrates the instrument's expressive range and technical capability.

How to get the most out of it

Establish clear leadership during the opening dialogue with the mallet instruments; your rhythmic precision anchors the scherzo's playfulness.
Pay attention to how Reed distributes the thematic material across all three parts. Balance projection with listening so the accompaniment voices remain audible when they have musical significance.
The scherzo form benefits from articulation clarity and dynamic contrast. Use these tools to delineate sections and keep the three-way conversation transparent.

How to use it

Position this as a solo recital centerpiece or chamber concert highlight where the audience can hear the double bass uncaged from its orchestral role. It pairs well with other contemporary chamber works that treat strings as primary voices rather than accompaniment.