Trente Chants (30): Suite 4, Op. 67 (Recueil de Chants) Cover Image

Trente Chants (30): Suite 4, Op. 67 (Recueil de Chants): Piano, Solo, Unaccompanied, Solo

$8.95 USD
$8.95 USD
Skip to product information
Trente Chants (30): Suite 4, Op. 67 (Recueil de Chants) Cover Image
Trente Chants (30): Suite 4, Op. 67 (Recueil de Chants): Piano, Solo, Unaccompanied, Solo

Trente Chants (30): Suite 4, Op. 67 (Recueil de Chants): Piano, Solo, Unaccompanied, Solo

By Charles-Valentin Alkan, ed./arr. by Elie Miriam Delaborde/ Isidor Philipp

Item: 36-M311891
$8.95
Shipped

One moment…

Description
French composer and virtuoso pianist Charles-Valentin Alkan (1813-1888) composed thirty one piano works as suites under the title TRENTE CHANTS (also RECUEIL DE CHANTS) across four opus numbers. These have been published by LudwigMasters in five volumes. Suite 4, Op. 67 includes six titles: 1. Niege et Lave; 2. Chanson de la Bonne Vielle; 3. Bravement; 4. Doucement; 5. Appassionato; 6. Barcarolle. Reprint of the edition by Elie Miriam Delaborde and Isidor Philipp.

Trente Chants (30): Suite 4, Op. 67 (Recueil de Chants): Piano, Solo, Unaccompanied, Solo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Master Keyboard Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810083-3
ISBN13: 979-889-810-0834
UPC: 605258510303
SKU: 36-M311891
Instrumentation: Solo Piano

More about this title

About the Composer: Charles-Valentin Alkan

Charles-Valentin Alkan (1813-1888) was a French composer and pianist of extraordinary technical command whose music remained largely neglected until the late twentieth century. A contemporary of Chopin and Liszt, Alkan composed ambitious works across multiple genres, but he was particularly drawn to the piano as a vehicle for both virtuosic display and intimate character pieces. His output demonstrates a restless harmonic imagination and structural sophistication that places him among the most significant keyboard composers of the Romantic era.

Alkan's Trente Chants (Thirty Songs) represents one of his most sustained compositional projects, spanning four opus numbers and offering pianists a diverse palette of moods and technical demands. Written across his mature years, these suites showcase his gift for lyrical melody alongside his command of pianistic texture and form. The suites have attracted renewed interest from pianists and teachers seeking repertoire that balances accessibility with artistic depth.

Why we love this

Suite 4 opens a window into Alkan's gift for creating small-scale narrative arcs within single pieces. The six contrasting character pieces reward thoughtful interpretation and expose students to Romantic-era harmony and form without the intimidating scale of Alkan's more monumental works. Programming this suite alongside other nineteenth-century piano literature gives audiences a chance to encounter a major voice they may have overlooked.

What to expect

These six pieces move between dramatic storm imagery, nostalgic folk melody, spirited character dances, and introspective expression. The emotional palette is distinctly Romantic; there is melancholy alongside vigor, tenderness alongside structural ambition. Alkan's piano writing feels both grateful to the instrument and deeply expressive.

Who it's for

This suite is ideal for intermediate to advanced pianists seeking character pieces of genuine substance. Teachers can draw on these pieces for recital programming, examination preparation, or exploring Alkan's distinctive voice within the standard repertoire canon.

How to get the most out of it

  • Treat each piece as a distinct miniature rather than rushing through the suite as a single block. The contrast between pieces like "Niege et Lave" and "Doucement" depends on clear character differentiation.
  • Pay close attention to Alkan's pedal markings and textural indications; they shape the harmonic color and resonance in ways that feel deliberately composed rather than merely ornamental.
  • Balance technical passages with the lyrical line. Alkan writes for both the virtuoso hand and the singing voice at the keyboard; neither should overshadow the other.
  • Explore the emotional range of the barcarolle form in the final piece, allowing the rhythmic underpinning to support rather than dominate the melodic content.

How to use it

Suite 4 works well as a self-contained recital segment, offering variety without requiring excessive page turns or dramatic costume changes. Alternatively, individual pieces can be extracted and programmed alongside other Romantic-era character pieces to demonstrate Alkan's place in the broader piano literature of his time.

Skills your students will build

  • Interpreting Romantic-era character pieces with stylistic coherence
  • Managing varied accompaniment textures and pedal effects
  • Balancing lyrical melody with elaborate pianistic figuration
  • Navigating Alkan's distinctive harmonic language and modulation
  • Creating dramatic contrast between contrasting piece sections within a suite

You May Also Like